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With fingerings. Composed by Johann Sebastian Bach. Edited by Georg Von Dadelsen. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Composed 1725. 46 pages. Baerenreiter Verlag #BA05242. Published by Baerenreiter Verlag (BA.BA05242).
ISBN 9790006524396. 12.2 x 9.57 inches.
“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, ne Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760 in the Leipzig "Ratsleichenbuch” (City Register of Deaths) for a woman whose name has become known throughout the world thanks to the two music books put together for her by Johann Sebastian Bach.
Bach himself opened the book with two of the large Partitas subsequently published in the first part of the "Clavierübung”; the rest of the contents was determined by Anna Magdalena. On the whole, these are short pieces of “galanterie”: minuets, polonaises, marches, compositions by the elder children and attempts by the younger ones, little pieces, which she copied out of the family guest book and which had been written there more or less as tokens of friendship by the many visitors in the Bach home.
The fingerings which have been added by Renate Kretschmar-Fischer represent a selection among many conceivable options. They have been chosen with a particular eye to the inspiration that this marvellous volume from Bach’s family circle can still impart to piano lessons today. In this sense, they also accommodate small hands searching for an ideal connection between physical dexterity, sensible voice-leading, and musical design.
Renate Kretschmar-Fischer studied in the master class of Conrad Hansen and was a scholarship holder at the Music Summer School in Bryanston (UK) where she worked with Arthur Schnabel, Monique Haas, Georges Enescu, Nadia Boulanger and Igor Stravinsky. For well over thirty years she taught as a professor at the Hochschule für Musik Detmold and was a jury member of numerous national and international competitions.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
With fingerings. Composed by Johann Sebastian Bach. Edited by Georg Von Dadelsen. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Composed 1725. 46 pages. Baerenreiter Verlag #BA05242. Published by Baerenreiter Verlag (BA.BA05242).
ISBN 9790006524396. 12.2 x 9.57 inches.
“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, ne Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760 in the Leipzig "Ratsleichenbuch” (City Register of Deaths) for a woman whose name has become known throughout the world thanks to the two music books put together for her by Johann Sebastian Bach.
Bach himself opened the book with two of the large Partitas subsequently published in the first part of the "Clavierübung”; the rest of the contents was determined by Anna Magdalena. On the whole, these are short pieces of “galanterie”: minuets, polonaises, marches, compositions by the elder children and attempts by the younger ones, little pieces, which she copied out of the family guest book and which had been written there more or less as tokens of friendship by the many visitors in the Bach home.
The fingerings which have been added by Renate Kretschmar-Fischer represent a selection among many conceivable options. They have been chosen with a particular eye to the inspiration that this marvellous volume from Bach’s family circle can still impart to piano lessons today. In this sense, they also accommodate small hands searching for an ideal connection between physical dexterity, sensible voice-leading, and musical design.
Renate Kretschmar-Fischer studied in the master class of Conrad Hansen and was a scholarship holder at the Music Summer School in Bryanston (UK) where she worked with Arthur Schnabel, Monique Haas, Georges Enescu, Nadia Boulanger and Igor Stravinsky. For well over thirty years she taught as a professor at the Hochschule für Musik Detmold and was a jury member of numerous national and international competitions.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Klavierbuechlein fuer Anna Magdalena Bach
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