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Piano. Composed by Franz Liszt. Edited by Ullrich Scheideler. Arranged by Marc-Andre Hamelin. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN978. Published by G. Henle (HL.51480978).
ISBN 9790201809786. UPC: 884088599188. 9.25x12.25x0.097 inches.
Liszt drew on three themes from Verdi's “Rigoletto” in this glittering virtuoso work; its climax is the finale with the theme in the quartet from Act III “Bella figlia dell'amore.” If one ignores the fact that at this point in the opera the betrayal of Gilda's love is made known, the work offers no sign that it was written at a time of deep depression: Liszt's hope of legally marrying Princess von Sayn-Wittgenstein was slowly disappearing. Maybe Liszt's opera paraphrases are therefore to be understood as memories of happier times in Weimar.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Piano. Composed by Franz Liszt. Edited by Ullrich Scheideler. Arranged by Marc-Andre Hamelin. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN978. Published by G. Henle (HL.51480978).
ISBN 9790201809786. UPC: 884088599188. 9.25x12.25x0.097 inches.
Liszt drew on three themes from Verdi's “Rigoletto” in this glittering virtuoso work; its climax is the finale with the theme in the quartet from Act III “Bella figlia dell'amore.” If one ignores the fact that at this point in the opera the betrayal of Gilda's love is made known, the work offers no sign that it was written at a time of deep depression: Liszt's hope of legally marrying Princess von Sayn-Wittgenstein was slowly disappearing. Maybe Liszt's opera paraphrases are therefore to be understood as memories of happier times in Weimar.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Rigoletto – Concert Paraphrase
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