Preludes Ten Original Pieces in the Romantic Style by Joyce Grill Piano Solo - Sheet Music

By Joyce Grill

Preludes Piano Solo scores gallery preview page 1

Usually leaves our warehouse:
1 to 2 weeks

Price: $6.99

Quantity

Save 5% when you buy 2 or more copies of this item.

{ "catalogRefId":"1553785", "productId":"prod1553785" } Add to Cart { "catalogRefId":"1553785", "productId":"prod1553785" }

Details

Instrument:

Piano Solo

Genres:

Classical

Composers:

Joyce Grill

Publishers:

Alfred Music Belwin Music

Format:

Collection / Songbook

Item types:

Physical

Level:

Intermediate

Musical forms:

Prelude

Artist:

Joyce Grill

Usages:

School and Community

Detailed Description

Piano - Intermediate

SKU: AP.EL9718

Ten Original Pieces in the Romantic Style. Composed by Joyce Grill. Piano Collection; Piano Supplemental. Belwin Studio Series. Form: Prelude. Book. 24 pages. Belwin Music #00-EL9718. Published by Belwin Music (AP.EL9718).

ISBN 9780769253008. UPC: 029156603910. English.

The titles evoke great pictures in the mind: Storm Surge * Dreaming in Daytime * Duet for One Alone * Wayward Wind, and six others. There is a variety of styles, calling for a number of totally different approaches and attitudes on the part of the performer. Students will delight in the fact that most of the preludes sound much harder than they really are!

Song List

The titles evoke great pictures in the mind: Storm Surge
Dreaming in Daytime
Duet for One Alone
Wayward Wind, and six others. There is a variety of styles, calling for a number of totally different approaches and attitudes on the part of the performer. Students will delight in the fact that most of the preludes sound much harder than they really are

Detailed Description
Song List (4)

Piano - Intermediate

SKU: AP.EL9718

ISBN 9780769253008. UPC: 029156603910. English.

The titles evoke great pictures in the mind: Storm Surge
Dreaming in Daytime
Duet for One Alone
Wayward Wind, and six others. There is a variety of styles, calling for a number of totally different approaches and attitudes on the part of the performer. Students will delight in the fact that most of the preludes sound much harder than they really are