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Composed by Alexander Scriabin. Edited by Valentina Rubcova. Arranged by Michael Schneidt. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 24 pages. G. Henle #HN855. Published by G. Henle (HL.51480855).
ISBN 9790201808550. UPC: 884088551346. 9.25x12.25x0.086 inches.
Skrjabin's 9th Sonata is often referred to as the “Black Mass.” Unlike the 7th Sonata, the so-called “White Mass,” this name did not stem from the composer. He writes: “In the ninth sonata I came closer than ever before to the Satanic...”. The mystic-dark sphere fascinated Skrjabin. Anyone who listens to this bizarre work will involuntarily become caught up in the diabolical vortex – the music heads towards the sonata's dramatic conclusion as if being pulled in an undertow. The highly expressive work was given its first performance by the composer himself. Following its first publication he revised it, and this new edition was the primary source for our edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Composed by Alexander Scriabin. Edited by Valentina Rubcova. Arranged by Michael Schneidt. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 24 pages. G. Henle #HN855. Published by G. Henle (HL.51480855).
ISBN 9790201808550. UPC: 884088551346. 9.25x12.25x0.086 inches.
Skrjabin's 9th Sonata is often referred to as the “Black Mass.” Unlike the 7th Sonata, the so-called “White Mass,” this name did not stem from the composer. He writes: “In the ninth sonata I came closer than ever before to the Satanic...”. The mystic-dark sphere fascinated Skrjabin. Anyone who listens to this bizarre work will involuntarily become caught up in the diabolical vortex – the music heads towards the sonata's dramatic conclusion as if being pulled in an undertow. The highly expressive work was given its first performance by the composer himself. Following its first publication he revised it, and this new edition was the primary source for our edition.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Piano Sonata No. 9, Op. 68
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