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Edition Without Fingering. Composed by Johann Sebastian Bach. Edited by Rudolf Steglich. Sheet music. Paperbound. Henle Music Folios. Classical. Softcover. 18 pages. G. Henle #HN1129. Published by G. Henle (HL.51481129).
ISBN 9790201811291. UPC: 884088405878. 9.25x12.25x0.38 inches.
The Calvierübung published in four sectons belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Parts II-IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ; however, since they are conceived for two parts, they are ideal for piano or harpsichord.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Edition Without Fingering. Composed by Johann Sebastian Bach. Edited by Rudolf Steglich. Sheet music. Paperbound. Henle Music Folios. Classical. Softcover. 18 pages. G. Henle #HN1129. Published by G. Henle (HL.51481129).
ISBN 9790201811291. UPC: 884088405878. 9.25x12.25x0.38 inches.
The Calvierübung published in four sectons belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I, which appeared in print in 1731, contains the six Partitas; Parts II-IV were issued in 1735, 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and, in a way, serve as a kind of echo of French and Italian orchestral music of the time, here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung, next to important works for the organ; however, since they are conceived for two parts, they are ideal for piano or harpsichord.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Italian Concerto, French Overture, Four Duets, Goldberg Variations
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