• Italian Concerto, BWV 971 by Johann Sebastian Bach Piano Solo - Sheet Music

Italian Concerto, BWV 971 Piano Solo Fingerings by Ekaterina Derzhavina by Johann Sebastian Bach Piano Solo - Sheet Music

By Johann Sebastian Bach

In 1735 Bach published the Italian Concerto, presented here in a revised separate edition, together with the French Overture in the second part of his “Clavier Übung”. The two works were intended to respectively exemplify the Italian and French styles. Thus, the “Concerto” unmistakably imitates an Italian solo concerto, using only the means of the harpsichord. Tutti and solo passages can be heard as well as the dynamic gradations of the sound layers, which Bach explicitly marked with piano and forte. Energetic outer movements frame an Andante, in which a melancholy cantilena unfolds over unadorned chords. For the revision of this Bach classic, editor Ullrich Scheideler also evaluated, in addition to the prints, early manuscript copies which allowed interesting conclusions about the lost autograph.

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Details

Summary
Instrument:
Piano Solo
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
196288278733
Format:
Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Artist:
Johann Sebastian Bach
Usages:
School and Community
Size:
9.0x12.0x0.119 inches
Number of Pages:
31
Shipping Weight:
0.41 pounds
Detailed Description
Piano (Piano Solo)

SKU: HL.51480526

Piano Solo Fingerings by Ekaterina Derzhavina. Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Henle Music Folios. Classical. Softcover. 31 pages. G. Henle #HN526. Published by G. Henle (HL.51480526).

UPC: 196288278733. 9.0x12.0x0.119 inches.

In 1735 Bach published the Italian Concerto, presented here in a revised separate edition, together with the French Overture in the second part of his “Clavier Übung”. The two works were intended to respectively exemplify the Italian and French styles. Thus, the “Concerto” unmistakably imitates an Italian solo concerto, using only the means of the harpsichord. Tutti and solo passages can be heard as well as the dynamic gradations of the sound layers, which Bach explicitly marked with piano and forte. Energetic outer movements frame an Andante, in which a melancholy cantilena unfolds over unadorned chords. For the revision of this Bach classic, editor Ullrich Scheideler also evaluated, in addition to the prints, early manuscript copies which allowed interesting conclusions about the lost autograph.

About Henle Urtext

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  • preface in 3 languages with information on the genesis and history of the work 
  • Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
  • most beautiful music engraving 
  • page-turns, fold-out pages, and cues where you need them 
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