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For Piano Reduction. Composed by Claude Debussy. Edited by Peter Jost. Arranged by Margit-Anna Sü and ss-Schellenberger. Henle Music Folios. Classical. Softcover. 47 pages. G. Henle #HN1584. Published by G. Henle (HL.51481584).
UPC: 196288122500. 9.0x12.0x0.142 inches.
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances are also playable without problem on the pedal harp, which was toreplace the chromatic harp on the concert platform. The archaic style of the pieces, including modal harmonies, used to express a “sacred” rite and a “profane” dance of joy, points to the enthusiasm for antiquity of Debussy himself and of the artistic world around 1900. This Henle edition is the first critical edition of the pieces, and is based on careful checking of the autograph and first edition. Practical support has been provided by the well-known harpist Margit-Anna Süss-Schellenberger, who has arranged the solo part of this Urtext edition for modern harp.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
For Piano Reduction. Composed by Claude Debussy. Edited by Peter Jost. Arranged by Margit-Anna Sü and ss-Schellenberger. Henle Music Folios. Classical. Softcover. 47 pages. G. Henle #HN1584. Published by G. Henle (HL.51481584).
UPC: 196288122500. 9.0x12.0x0.142 inches.
Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances are also playable without problem on the pedal harp, which was toreplace the chromatic harp on the concert platform. The archaic style of the pieces, including modal harmonies, used to express a “sacred” rite and a “profane” dance of joy, points to the enthusiasm for antiquity of Debussy himself and of the artistic world around 1900. This Henle edition is the first critical edition of the pieces, and is based on careful checking of the autograph and first edition. Practical support has been provided by the well-known harpist Margit-Anna Süss-Schellenberger, who has arranged the solo part of this Urtext edition for modern harp.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Danses for Harp and String Orchestra
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