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Composed by Georg Philipp Telemann. Edited by Gunter Hausswald. This edition: urtext edition. Stapled. Barenreiter Urtext. Baroque. Instrumental solo book. With introductory text. Composed 1735. TWV 40:14-25. 27 pages. Baerenreiter Verlag #BA02972. Published by Baerenreiter Verlag (BA.BA02972).
ISBN 9790006428243. 9x12 inches.
Georg Philipp Telemann (1681-1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student, these pieces represent genuine examples of baroque music displaying an original devotion to music the effect of which can still be felt today.
The “Twelve Fantasias for Violin without Bass”, 1735, formally display a cyclic construction with numerous variants. Elements of the sonata, the concerto and the suite are taken up and expertly contrasted with one another. Characteristic is the alternation of manifold musical ideas. The richly developed part writing ensures full use of the playing possibilities of the instrument.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Georg Philipp Telemann. Edited by Gunter Hausswald. This edition: urtext edition. Stapled. Barenreiter Urtext. Baroque. Instrumental solo book. With introductory text. Composed 1735. TWV 40:14-25. 27 pages. Baerenreiter Verlag #BA02972. Published by Baerenreiter Verlag (BA.BA02972).
ISBN 9790006428243. 9x12 inches.
Georg Philipp Telemann (1681-1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student, these pieces represent genuine examples of baroque music displaying an original devotion to music the effect of which can still be felt today.
The “Twelve Fantasias for Violin without Bass”, 1735, formally display a cyclic construction with numerous variants. Elements of the sonata, the concerto and the suite are taken up and expertly contrasted with one another. Characteristic is the alternation of manifold musical ideas. The richly developed part writing ensures full use of the playing possibilities of the instrument.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Fantasie #1
Fantasie #2
Fantasie #3
Fantasie #4
Fantasie #5
Fantasie #6
Fantasie #7
Fantasie #8
Fantasie #9
Fantasie #10
Fantasie #11
Fantasie #12
Preview: Twelve Fantasias for Violin without Bass TWV 40:14 - 40:25
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