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Composed by Georg Philipp Telemann. Edited by Bernd Baselt. This edition: urtext edition. Stapled. Barenreiter Urtext. From the opera "Der neumodische Liebhaber Damon". Score. TWV 51. Duration 9 minutes. Baerenreiter Verlag #BA08659. Published by Baerenreiter Verlag (BA.BA08659).
ISBN 9790006526543. 11.81 x 8.86 inches. Key: C major.
Georg Philipp Telemann left behind some 23 extant violin concertos and presumably a far greater number of lost ones. Most of them probably originated during his tenure as concertmaster and maestro di cappella at the court of the Duke of Saxe-Eisenach (1708–12) , and thus at a time when German composers were directing their attention to French and increasingly to Italian music.
Although less demanding in their technique (they are well within the reach of amateur orchestras), Telemann’s violin concertos stand alongside Bach’s in their musical content.
The separate sources are drawn from the Urtext of the Telemann Edition and make these four delightful works available to today’s performers.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Georg Philipp Telemann. Edited by Bernd Baselt. This edition: urtext edition. Stapled. Barenreiter Urtext. From the opera "Der neumodische Liebhaber Damon". Score. TWV 51. Duration 9 minutes. Baerenreiter Verlag #BA08659. Published by Baerenreiter Verlag (BA.BA08659).
ISBN 9790006526543. 11.81 x 8.86 inches. Key: C major.
Georg Philipp Telemann left behind some 23 extant violin concertos and presumably a far greater number of lost ones. Most of them probably originated during his tenure as concertmaster and maestro di cappella at the court of the Duke of Saxe-Eisenach (1708–12) , and thus at a time when German composers were directing their attention to French and increasingly to Italian music.
Although less demanding in their technique (they are well within the reach of amateur orchestras), Telemann’s violin concertos stand alongside Bach’s in their musical content.
The separate sources are drawn from the Urtext of the Telemann Edition and make these four delightful works available to today’s performers.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Concerto for Violin and Orchestra C major TWV 51:C 3
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