Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano & Keyboard, Repertoire, Solos. Preludes, Book 2. Classical, Romantic. Softcover Book. 80 pages. G. Henle #HN384. Published by G. Henle (HU.HN384).
12.2 x 9.3 x 0.2 inches.
In 1913, three years after publication of the Preludes I, another collection of twelve Preludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Preludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux dartifice, fireworks of pianistic bravura in thetrue sense of the word. The piano writing and title of no. 11, Les tier ces alternees, already hints at the twelve Etudes of 1915 (HN 390) with which Debussy was to end his piano uvre. Edited by Ernst-Gunter Heinemann with fingerings by Hans-Martin Theopold and a preface by Francois Lesure.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano & Keyboard, Repertoire, Solos. Preludes, Book 2. Classical, Romantic. Softcover Book. 80 pages. G. Henle #HN384. Published by G. Henle (HU.HN384).
12.2 x 9.3 x 0.2 inches.
In 1913, three years after publication of the Preludes I, another collection of twelve Preludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Preludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux dartifice, fireworks of pianistic bravura in thetrue sense of the word. The piano writing and title of no. 11, Les tier ces alternees, already hints at the twelve Etudes of 1915 (HN 390) with which Debussy was to end his piano uvre. Edited by Ernst-Gunter Heinemann with fingerings by Hans-Martin Theopold and a preface by Francois Lesure.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Debussy - Preludes Book 2
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