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Composed by Johann Sebastian Bach. Arranged by Frank Koonce. Score. Les Productions d'OZ #DZ 4173. Published by Les Productions d'OZ (DZ.DZ-4173).
ISBN 9782898520907.
In all Bach’s cyclic works, we see evidence of Bach as a pedagogue; even his most sublime music is fundamentally didactic in nature. Within the Sonatas and Partitas there is an overall arch between all the movements. The very first gesture in the G-minor Adagio, with its sweeping chord is, in a sense, is the violin’s signature chord in the same way that E major can be thought of as the guitar’s signature chord––and it acts as a harbinger of things to come. The complete set systematically explores a rich variety of challenges both to the composer and the performer and, throughout the movements, all aspects of composing and playing become increasingly more demanding. Just as C.P.E. Bach wrote about knowing nothing better than his father’s Sonatas and Partitas for helping one learn to become an accomplished violinist, so can we, too, discover much of what is possible on the guitar through studying this timeless collection.
Dans toutes les œuvres cycliques de Bach, on voit des preuves de Bach en tant que pédagogue; même sa musique la plus sublime est fondamentalement didactique par nature. Dans les Sonates et Partitas, il y a une arche globale entre tous les mouvements. Le tout premier geste dans l'Adagio en sol mineur, avec son accord ample, est en quelque sorte l'accord signature du violon, de la même manière que le mi majeur peut être considéré comme l'accord signature de la guitare –– et il agit comme un présage de ce qui est à venir. L'ensemble complet explore systématiquement une grande variété de défis à la fois pour le compositeur et pour l'interprète et, à travers les mouvements, tous les aspects de la composition et de l'interprétation deviennent de plus en plus exigeants. Tout comme C.P.E. Bach a écrit qu'il ne connaissait rien de mieux que les Sonates et Partitas de son père pour aider à devenir un violoniste accompli, nous pouvons aussi découvrir une grande partie de ce qui est possible à la guitare en étudiant cette collection intemporelle.
Composed by Johann Sebastian Bach. Arranged by Frank Koonce. Score. Les Productions d'OZ #DZ 4173. Published by Les Productions d'OZ (DZ.DZ-4173).
ISBN 9782898520907.
In all Bach’s cyclic works, we see evidence of Bach as a pedagogue; even his most sublime music is fundamentally didactic in nature. Within the Sonatas and Partitas there is an overall arch between all the movements. The very first gesture in the G-minor Adagio, with its sweeping chord is, in a sense, is the violin’s signature chord in the same way that E major can be thought of as the guitar’s signature chord––and it acts as a harbinger of things to come. The complete set systematically explores a rich variety of challenges both to the composer and the performer and, throughout the movements, all aspects of composing and playing become increasingly more demanding. Just as C.P.E. Bach wrote about knowing nothing better than his father’s Sonatas and Partitas for helping one learn to become an accomplished violinist, so can we, too, discover much of what is possible on the guitar through studying this timeless collection.
Dans toutes les œuvres cycliques de Bach, on voit des preuves de Bach en tant que pédagogue; même sa musique la plus sublime est fondamentalement didactique par nature. Dans les Sonates et Partitas, il y a une arche globale entre tous les mouvements. Le tout premier geste dans l'Adagio en sol mineur, avec son accord ample, est en quelque sorte l'accord signature du violon, de la même manière que le mi majeur peut être considéré comme l'accord signature de la guitare –– et il agit comme un présage de ce qui est à venir. L'ensemble complet explore systématiquement une grande variété de défis à la fois pour le compositeur et pour l'interprète et, à travers les mouvements, tous les aspects de la composition et de l'interprétation deviennent de plus en plus exigeants. Tout comme C.P.E. Bach a écrit qu'il ne connaissait rien de mieux que les Sonates et Partitas de son père pour aider à devenir un violoniste accompli, nous pouvons aussi découvrir une grande partie de ce qui est possible à la guitare en étudiant cette collection intemporelle.
Violin Sonata II, BWV 1003: Grave/Adagio
Violin Sonata II, BWV 1003: Fuga
Violin Sonata II, BWV 1003: Andante
Violin Sonata II, BWV 1003: Allegro
Preview: Violin Sonata II, BWV 1003
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