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Sonatas for Harpsichord. By Emilia Fadini. Composed by Domenico Scarlatti. Edited by Emilia Fadini. Piano Collection. Classical, Collection. Book Only. Composed 1984. 260 pages. Ricordi #ER2753. Published by Ricordi (HL.50103470).
This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in so far as this can be reconstructed through a comparative study of the surviving printed and manuscript sources) and which is presented as authentically as possible, free from editorial interference or suggestions for performance or interpretation. The study of musicology and especially of the performing traditions of baroque music has advanced considerably since Alessandro Longo achieved the mammoth task of publishing the entire corpus of Scarlatti's sonatas for the first time, and today we can deal with problems of text and interpretation with a surer and deeper methodological awareness; all of these will be adequately treated in the Appendix to this edition, which will contain also a general thematic catalog of the complete sonatas.
Sonatas for Harpsichord. By Emilia Fadini. Composed by Domenico Scarlatti. Edited by Emilia Fadini. Piano Collection. Classical, Collection. Book Only. Composed 1984. 260 pages. Ricordi #ER2753. Published by Ricordi (HL.50103470).
This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in so far as this can be reconstructed through a comparative study of the surviving printed and manuscript sources) and which is presented as authentically as possible, free from editorial interference or suggestions for performance or interpretation. The study of musicology and especially of the performing traditions of baroque music has advanced considerably since Alessandro Longo achieved the mammoth task of publishing the entire corpus of Scarlatti's sonatas for the first time, and today we can deal with problems of text and interpretation with a surer and deeper methodological awareness; all of these will be adequately treated in the Appendix to this edition, which will contain also a general thematic catalog of the complete sonatas.
Sonata L48 K266
Sonata L434 K267
Sonata L41 K268
Sonata L307 K269
Sonata L459 K270
Sonata L155 K271
Sonata L145 K272
Sonata L398 K273
Sonata L297 K274
Sonata L328 K275
Sonata Lsup20 K276
Sonata L183 K277
Sonata Lsup15 K278
Sonata L468 K279
Sonata L237 K280
Sonata L56 K281
Sonata L484 K282
Sonata L318 K283
Sonata L90 K284
Sonata L91 K285
Sonata Lsup9 K287
Sonata L57 K288
Sonata L78 K289
Sonata L85 K290
Sonata L61 K291
Sonata L24 K292
Sonata Lsup44 K293
Sonata L67 K294
Sonata L270 K295
Sonata L198 K296
Sonata Lsup19 K297
Sonata Lsup6 K298
Sonaa L210 K299
Sonata L92 K300
Sonata L493 K301
Sonata L7 K302
Sonata L9 K303
Sonata L88 K304
Sonata L16 K306
Sonata L322 K305
Sonata L115 K307
Sonata L359 K308
Sonata L454 K309
Sonata L248 K310
Sonata L144 K311
Sonata L264 K312
Sonata L192 K313
Sonata L441 K314
Sonata L235 K315
Sonata L299 K316
Sonata L66 K317
Sonata L31 K318
Sonata L35 K319
Sonata L341 K320
Sonata L258 K321
Sonata L483 K322
Sonata L95 K323
Sonata L332 K324
Sonata L37 K325
Sonata L394 K286
Preview: Sonate per Clavicembalo Volume 5 Critical Edition
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