Preludio de la Suche Malinche Chamber Music - Digital Sheet Music
22867080
Preludio de la Suche Malinche
22867080
22867080
22867080
Details
Violin Solo - Level 4 - Digital Download
SKU: A0.1514913
Composed by Ave Asán. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 30 pages. Editorial Copistas Acuario #1089409. Published by Editorial Copistas Acuario (A0.1514913).Esta pieza está inspirada en la Suche Malinche, uno de los personajes de “El Güegüense o Macho Ratón”, obra de teatro nicaragüense y además Patrimonio Oral e Inmaterial de la Humanidad.
En dicha obra, el Güegüense convence al Gobernador Tastuanes (padre de la Suche Malinche) para que case a la muchacha con uno de sus hijos (Don Forcico). El Preludio de la Suche Malinche surge de la necesidad de empoderar a esta mujer, cuya función en El Güegüense es la de ser un instrumento para acceder al poder. Ni su voz ni su voluntad existen. Es por eso que en la pieza, La Suche (representada por la violinista) empieza a cuestionarse por su silencio, y le reza a Guachán (San Sebastián, santo patrono de Carazo); pero en vez del santo, se le aparece Quetzalcóatl, quien le da valor y fuerza. Poco a poco ella siente cómo surge su voz, alternada con vocales y sonidos reiterados, que se mezclan con un violín impetuoso, hasta que en ella se construye el habla y termina diciendo :
“Ya neme nequi nitipampa” (Yo estoy aquí, defendiendo mi causa).
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This piece is inspired by Suche Malinche, one of the characters of “El Güegüense o Macho Ratón”, a Nicaraguan play and also Oral and Intangible Heritage of Humanity.
In this play, the Güegüense convinces Governor Tastuanes (Suche Malinche’s father) to marry the girl to one of his sons (Don Forcico). The Suche Malinche Prelude arises from the need to empower this woman, whose function in El Güegüense is to be an instrument to gain access to power. Neither her voice nor her will exist. That is why in the piece, La Suche (represented by the violinist) begins to question her silence, and prays to Guachán (San Sebastián, patron saint of Carazo); but instead of the saint, Quetzalcóatl appears to her, giving her courage and strength. Little by little she feels how her voice emerges, alternating with vowels and reiterated sounds, which are mixed with an impetuous violin, until she builds her speech and ends up saying:
“Ya neme nequi nitipampa” (I am here, defending my cause.).
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
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