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Composed by Bert Appermont. Beriato Solo Works Series. Solo & Concerto. Set (Score & Parts). Composed 2013. 38 pages. Beriato Music #BMP13011565. Published by Beriato Music (BT.BMP13011565).
9x12 inches. English-German-French-Dutch.
Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armónica from Buñol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.
Concerto for Horn and Band werd geschreven in opdracht van hoornist Miguel Martinez Megias en het symfonisch blaasorkest La Armónica uit Buñol (Spanje). Het werk bestaat uit vier delen: een dramatische "Sarabande", eenbijzonder virtuoze "Toccata", een prachtige "Romance" en de "Finale", waarin het tweede deel fugatisch wordt verwerkt en het concerto spectaculair afsluit. De bouwsteen van dit concerto is de reine kwint -een interval dat bij uitstek bij de hoorn past: denk maar aan de posthoornen jachtmotieven, die vaak op een kwint gebaseerd zijn. Het werk is niet programmatisch van opzet: de bedoeling van de componist was om de mogelijkheden van de hoorn als solo-instrument zo goed mogelijk te benutten en het repertoire voor dit prachtige instrument te verrijken.
Concerto for Horn and Band wurde im Auftrag des Hornisten Miguel Martinez Megias und des symphonischen Blasorchesters La Armónica aus Buñol, Spanien, geschrieben. Das viersätzige Werk, das die Möglichkeiten des Horns als Soloinstrumentvoll auslotet, besteht aus einer dramatischen Sarabande, einer hochvirtuosen Toccata, einer wunderschönen Romance und einem Finale, in dem der zweite Teil nach Art einer Fuge verarbeitet wird und das das Werk spektakulärbeendet. Baustein dieses Konzerts ist - sehr passend - die Quinte: Man denke nur an Posthorn- oder Jagdmotive, die oft auf einer Quinte basieren. Eine echte Bereicherung für Hornisten.
Composed by Bert Appermont. Beriato Solo Works Series. Solo & Concerto. Set (Score & Parts). Composed 2013. 38 pages. Beriato Music #BMP13011565. Published by Beriato Music (BT.BMP13011565).
9x12 inches. English-German-French-Dutch.
Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armónica from Buñol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.
Concerto for Horn and Band werd geschreven in opdracht van hoornist Miguel Martinez Megias en het symfonisch blaasorkest La Armónica uit Buñol (Spanje). Het werk bestaat uit vier delen: een dramatische "Sarabande", eenbijzonder virtuoze "Toccata", een prachtige "Romance" en de "Finale", waarin het tweede deel fugatisch wordt verwerkt en het concerto spectaculair afsluit. De bouwsteen van dit concerto is de reine kwint -een interval dat bij uitstek bij de hoorn past: denk maar aan de posthoornen jachtmotieven, die vaak op een kwint gebaseerd zijn. Het werk is niet programmatisch van opzet: de bedoeling van de componist was om de mogelijkheden van de hoorn als solo-instrument zo goed mogelijk te benutten en het repertoire voor dit prachtige instrument te verrijken.
Concerto for Horn and Band wurde im Auftrag des Hornisten Miguel Martinez Megias und des symphonischen Blasorchesters La Armónica aus Buñol, Spanien, geschrieben. Das viersätzige Werk, das die Möglichkeiten des Horns als Soloinstrumentvoll auslotet, besteht aus einer dramatischen Sarabande, einer hochvirtuosen Toccata, einer wunderschönen Romance und einem Finale, in dem der zweite Teil nach Art einer Fuge verarbeitet wird und das das Werk spektakulärbeendet. Baustein dieses Konzerts ist - sehr passend - die Quinte: Man denke nur an Posthorn- oder Jagdmotive, die oft auf einer Quinte basieren. Eine echte Bereicherung für Hornisten.
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