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Composed by Johannes Brahms. Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part. Opus 101. Baerenreiter Verlag #BA09437. Published by Baerenreiter Verlag (BA.BA09437).
ISBN 9790006541119. 12.8 x 10.04 inches. Language: English/German. Preface: Christopher Hogwood.
Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph. The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895. Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Johannes Brahms. Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part. Opus 101. Baerenreiter Verlag #BA09437. Published by Baerenreiter Verlag (BA.BA09437).
ISBN 9790006541119. 12.8 x 10.04 inches. Language: English/German. Preface: Christopher Hogwood.
Christopher Hogwood’s scholarly-critical edition of Brahms’ final and perhaps greatest trio op. 101 is based on two main sources, the first edition and the autograph. The foreword of this edition presents information on contemporary performance practice; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden-Baden in approx. 1895. Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Trio for Violin, Violoncello and Piano op. 101
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