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Double bass (1.2.0.2 – 2.2.0.0 – timp – str)
SKU: BR.OB-5292-27
Jupiter Symphony – Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. Symphony; Classical. Part. 10 pages. Duration 30'. Breitkopf and Haertel #OB 5292-27. Published by Breitkopf and Haertel (BR.OB-5292-27).
ISBN 9790004338261. 10 x 12.5 inches.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.
Double bass (1.2.0.2 – 2.2.0.0 – timp – str)
SKU: BR.OB-5292-27
Jupiter Symphony – Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. Symphony; Classical. Part. 10 pages. Duration 30'. Breitkopf and Haertel #OB 5292-27. Published by Breitkopf and Haertel (BR.OB-5292-27).
ISBN 9790004338261. 10 x 12.5 inches.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.
Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.
Preview: Symphony [No. 41] in C major K. 551
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![Symphony [No. 41] in C major K. 551 Orchestra scores gallery preview page 1](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw7d9e5295/images/2253/8292253_cover-large_file.png?sw=900&sh=1200&sm=fit "Symphony [No. 41] in C major K. 551")
