Symphony [No. 41] in C major K. 551 Jupiter Symphony – Urtext by Wolfgang Amadeus Mozart Orchestra - Sheet Music

By Wolfgang Amadeus Mozart

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

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Details

Summary
Ensembles:
Orchestra
Genres:
Classical Period
Composers:
Wolfgang Amadeus Mozart
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Score Library
ISBN:
9790004211649
Format:
Score
Item types:
Physical
Musical forms:
Symphony
Artist:
Wolfgang Amadeus Mozart
Usages:
School and Community
Number of Pages:
84
Size:
10 x 12.5 inches
Shipping Weight:
1.04 pounds
Detailed Description
Orchestra (1.2.0.2 – 2.2.0.0 – timp – str)

SKU: BR.PB-5292

Jupiter Symphony – Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. Symphony; Classical. Full score. 84 pages. Duration 30:00. Breitkopf and Haertel #PB 5292. Published by Breitkopf and Haertel (BR.PB-5292).

ISBN 9790004211649. 10 x 12.5 inches.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived. In order to remain as close as possible to the performance practice of Mozart's time, the editor has tried to keep as much as possible of the composer's idiosyncratic notation style, since a consistently modernized music text would hardly allow any conclusions on the interpretative nuances envisioned by Mozart. The preface confirms the brilliance and expertise of Mozart expert Cliff Eisen, who offers a wealth of fascinating findings on interpretation, genesis and early reception.

Mozart's last symphony offered editor Cliff Eisen a clear-cut basis for his work: its autograph score is the sole authentic source to have survived.

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