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4619764
Stone Mountain Stomp
4619764
4619764

Stone Mountain Stomp Full Score and Parts by Carl Strommen String Orchestra - Sheet Music

By Carl Strommen
Stone Mountain Stomp String Orchestra scores gallery preview page 1
Stone Mountain Stomp String Orchestra scores gallery preview page 2
Stone Mountain Stomp String Orchestra scores gallery preview page 3
Stone Mountain Stomp by Carl Strommen String Orchestra - Sheet Music
Stone Mountain Stomp by Carl Strommen String Orchestra - Sheet Music page 2
Stone Mountain Stomp by Carl Strommen String Orchestra - Sheet Music page 3
Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Grade 1.5-2

SKU: CF.FAS16

Full Score and Parts. Composed by Carl Strommen. Edited by Amy Rosen. Folio. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 43 pages. Carl Fischer Music #FAS16. Published by Carl Fischer Music (CF.FAS16).

ISBN 9780825847899. UPC: 798408047894. 9 x 12 inches. Key: D major.

In the tradition of bluegrass fiddle playing, Stone Mountain Stomp has a rousing hoedown feel. The rollicking eighth-note and sixteenth-note figures should be played vigorously with strict attention to dynamics and bowings. Additional hand claps and foot stomps are appropriate and fun.
In the tradition of bluegrass fiddle playing,A Stone Mountain Stomp has a rousing hoedown feel. The rollicking eighth-note and sixteenth-note figures should be played vigorously with strict attention to dynamics and bowings. Additional hand claps and foot stomps are appropriate and fun.
In the tradition of bluegrass fiddle playing, Stone Mountain Stomp has a rousing hoedown feel. The rollicking eighth-note and sixteenth-note figures should be played vigorously with strict attention to dynamics and bowings. Additional hand claps and foot stomps are appropriate and fun.
In the tradition of bluegrass fiddle playing, Stone Mountain Stomp has a rousing hoedown feel. The rollicking eighth-note and sixteenth-note figures should be played vigorously with strict attention to dynamics and bowings. Additional hand claps and foot stomps are appropriate and fun.
In the tradition of bluegrass fiddle playing,xa0Stone Mountain Stomp has a rousing hoedown feel. The rollicking eighth-note and sixteenth-note figures should be played vigorously with strict attention to dynamics and bowings. Additional hand claps and foot stomps are appropriate and fun.

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