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3768440

Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029

Edition for Viola da Gamba (Violoncello) and Harpsichord BWV 1027-1029

By Johann Sebastian Bach

Sonatas for Viola da Gamba and Harpsichord BWV 1027-1029
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Strings Cello, Piano (Violoncello and Piano)
Edition for Viola da Gamba (Violoncello) and Harpsichord BWV 1027-1029. Composed by Johann Sebastian Bach (1685-1750). Edited by Ernst-Gunter Heinemann and Rainer Zipperling. Sheet Music. Paperbound. Henle Music Folios. Pages: Score = IV and 54 * Vc Part = 19 * Viola da gamba Part = 19. Baroque. Collection and set of parts (softcover). With introductory text, performance notes and fingerings. 96 pages. G. Henle #HN676. Published by G. Henle (HL.51480676).

Item Number: HL.51480676

9x12 inches.

The core repertoire of low string instruments would not be the same without Johann Sebastian Bach's three gamba sonatas, which hark back to other works by him that were originally scored for different performing forces. They all share a strict three-part texture (gamba and two-voice keyboard). Today the sonatas are mostly played on the cello, which can assimilate the gamba's original music changed.

  • Sonata for Viola da Gamba and Harpsichord, G major, BWV 1027 (Violoncello and piano)  Composed by Johann Sebastian Bach
  • Sonata for Viola da Gamba and Harpsichord, D major, BWV 1028 (Violoncello and piano)  Composed by Johann Sebastian Bach
  • Sonata for Viola da Gamba and Harpsichord, G minor, BWV 1029 (Violoncello and piano)  Composed by Johann Sebastian Bach

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  • Ratings + Reviews

  • 3

    Canadian gambist
    Location:
    Brantford, Ontario
    Difficulty Level:
    Intermediate/advanced
  • April 28, 2011 Mixed bag of Bach

    I bought this to get a quality edition using alto clef for the gamba part. The part is well laid out and readable with intelligent use of a fold-out page for the two longest movements, but I think the editing is very questionable. Phrase markings have been taken from...

    the sources with no thought to performance issues they raise in several cases, and the policy on missing accidentals is annoyingly pedantic. Yet the editor supplies bow markings and fingerings that reflect a personal approach that may not suit your own habits. Such a mixture of scholarly and personal requires a lot of re-editing by any serious performer. I'm surprised at these practices from Henle.

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    20 of 44 people found this review helpful.
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  • 5

    Andrew Tsang
    Location:
    Hong Kong
    Difficulty Level:
    Intermediate/advanced
  • April 22, 2010 Nice complement to Bach Suites

    Cellists have a more limited repertoire compared to violinists, and many feel Bach's Cello Suites are a huge blessing. But, what else can a cellist play from Bach? This book is one of the best answers. I can pick up the music easily after the Suites and amazingly there...

    're ideas that I can bring back to perform on the Suites, too.

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    34 of 61 people found this review helpful.
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