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17648255
God Rest Ye Merry, Gentlemen (score & parts)
17648255
17648255

God Rest Ye Merry, Gentlemen (score & parts) Holiday by Nathan Daughtrey Percussion Ensemble - Sheet Music

By Nathan Daughtrey
God Rest Ye Merry, Gentlemen (score & parts) Percussion Ensemble scores gallery preview page 1
God Rest Ye Merry, Gentlemen (score & parts) Percussion Ensemble scores gallery preview page 2
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God Rest Ye Merry, Gentlemen (score & parts) by Nathan Daughtrey Percussion Ensemble - Sheet Music
God Rest Ye Merry, Gentlemen (score & parts) by Nathan Daughtrey Percussion Ensemble - Sheet Music page 2
God Rest Ye Merry, Gentlemen (score & parts) by Nathan Daughtrey Percussion Ensemble - Sheet Music page 3
God Rest Ye Merry, Gentlemen (score & parts) by Nathan Daughtrey Percussion Ensemble - Sheet Music page 4
God Rest Ye Merry, Gentlemen (score & parts) by Nathan Daughtrey Percussion Ensemble - Sheet Music page 5
Percussion Ensemble Marimba Quartet (marimba 1 (4-octave), marimba 2 (4-octave), marimba 3 (4.3-octave), marimba 4 (5-octave), *playable on one 4.3-octave marimba and one 5-octave marimba) - medium difficult

SKU: CN.10610

Holiday. Composed by Nathan Daughtrey. Percussion Music. Score & parts. Duration 5:00. Published by C. Alan Publications (CN.10610).

Scored for marimba quartet, Nathan Daughtrey's arrangement of "God Rest Ye Merry Gentlemen" is truly creative in the manner that he frames the traditional melody, making it appropriate not only for a sacred setting but for percussion ensemble programming any time of the year, in any performance forum.

Scored for marimba quartet, Nathan Daughtrey's arrangement of "God Rest Ye Merry Gentlemen" is truly creative in the manner that he frames the traditional melody, making it appropriate not only for a sacred setting but for percussion ensemble programming any time of the year, in any performance forum. Careful directions regarding mallet selection permit performers to balance and articulate their parts throughout this 85-measure arrangement. After a rhapsodic 16-measure introduction, Daughtrey takes the listener through an imitative variation - starting with the bass marimbist. This transitions to a completely different style, with the lower two parts energizing a tight-canonic section in the upper two parts, before the arrangement ends with a sounding chorale at a very soft dynamic level.

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