Anna Bolena Volume I and Volume II
Ed. critica di Paolo Fabbri - Riduzione per canto e pianoforte
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SKU: BT.CP-14036000
Ed. critica di Paolo Fabbri - Riduzione per canto e pianoforte. Composed by Gaetano Donizetti. UMPC Critical Editions. Opera or Operetta. Set of Books. Composed 2017. Ricordi #CP 14036000. Published by Ricordi (BT.CP-14036000).ISBN 9788875929787. Italian-English.
Vocal score based on the critical edition of the orchestral score edited by Paolo Fabbri, 2 volumes. Donizetti's Anna Bolena premiered at Milano's Teatro Carcano during Carnival season 1830-31 is considered the composer's first major success inserious opera, which brought him to the attention of all Europe. In terms of production, in Italy he was an anomaly, in that he remained actively involved in the evolution of his works and the performances of them, and went on making modifications tothose works. Written expressly for the interpretative and vocal talents of great singers like Giuditta Pasta and Giovan Battista Rubini, the historically-based "lyrical tragedy" by librettist Felice Romani is a classic of Lombard Romanticism. Thepresent reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on the autograph score, (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on the first vocalscores printed editions (Lucca and Ricordi in Milan and Marquerie Freres in Paris) and additional manuscript scores with autograph additional notes (housed in Naples and Rome). This edition presents for the first time all the music composed byDonizetti, in particular the sections crossed out or replaced either immediately before or after the first performances. There is also a synthetic reconstruction of the birth of Anna Bolena, with a description of sources and a selection of theCritical Notes from the full score edition.
Riduzione per canto e pianoforte condotta sull'edizione critica della partitura a cura di Paolo Fabbri, in 2 volumi. Anna Bolena debutta a Milano al Teatro Carcano nel carnevale 1830-31 e costituisce il primo e fondamentale traguardo del Donizettiserio, anche a livello europeo. Anche nell'ambiente italiano rappresenta un caso produttivo quasi unico con l'autore che permane 'su piazza' e continua a seguire le repliche del suo lavoro, apportandovi modifiche. Scritta su misura per le dotiinterpretative e vocali di cantanti d'eccezione quali Giuditta Pasta e Giovan Battista Rubini, questa <