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19754744
19754744
19754744

36 Melodious and Easy Studies op. 84

Violin

By Charles Dancla

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Violin - intermediate
Violin. Composed by Charles Dancla (1817-1907). Edited by Julia Mueller-Runte and Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Edition Schott. Danclas leichte, melodischen Etuden sind hervorragend geeignet fur junge Anfanger nach dem zweiten Jahr, aber auch fur erwachsene Spieler, Wiedereinsteiger oder Umsteiger. Sie eignen sich grosstenteils als kleine Vortragstucke und bieten eine ausgezeichne. Classical. Softcover. Op. 84. 52 pages. Schott Music #ED 21126. Published by Schott Music (HL.49018841).

Item Number: HL.49018841

ISBN 9790001177399. 9x12 inches.

Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form.Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.

Dancla's easy melodic studies are perfectly suited for young beginners after the second year, but also for adult players, refreshers or outsiders. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.

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