Trek to the Summit by William Harbinson - Bassoon - Sheet Music

Details

Instruments: Bass Clarinet; Euphonium; Flute; Glockenspiel; Oboe; Percussion; Timpani; Baritone Saxophone; Alto Saxophone; Bassoon
Composers: William Harbinson
Publishers: Pembroke Music Co.
Series: Carl Fischer Young Performance Series
Formats: Set of Parts; Score and Parts
Item Types: Physical
Levels: Grade 2
Usages: School and Community

Description

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Tom-tom and more. - Grade 2.5

SKU: CF.YPS219

Composed by William Harbinson. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+5+2+2+4+4+4+6+2+3+1+1+4+2+20 pages. Duration 4 minutes, 10 seconds. Pembroke Music Co. #YPS219. Published by Pembroke Music Co. (CF.YPS219).

ISBN 9781491155110. UPC: 680160913664. 9 x 12 inches.

A brass fanfare based on an angular motive opens Trek to the Summit. This motive serves as the principal melodic material for the composition. The fanfare fades to a softer lyrical passage (m. 24). The woodwinds initially present the Andante theme that is derived from the principal motive but set in the Dorian mode. The composition turns to the major key (m. 60) for a tutti passage that is closely followed by a return to the minor mode. The percussion instruments usher in a Presto developmental passage (m. 85) that leads to the return of the opening fanfare (Maestoso). A brief coda (m. 117) contains a final tutti statement of the principal motive as the composition comes to an end. Trek to the Summit was commissioned in honor of Sam Berryhill by his wife in celebration of his retirement.
A brass fanfare based on an angular motive opens Trek to the Summit. This motive serves as the principal melodic material for the composition. The fanfare fades to a softer lyrical passage (m. 24). The woodwinds initially present the Andante theme that is derived from the principal motive but set in the Dorian mode. The composition turns to the major key (m. 60) for a tutti passage that is closely followed by a return to the minor mode. The percussion instruments usher in a Presto developmental passage (m. 85) that leads to the return of the opening fanfare (Maestoso). A brief coda (m. 117) contains a final tutti statement of the principal motive as the composition comes to an end.Trek to the Summit was commissioned in honor of Sam Berryhill by his wife in celebration of his retirement.