Two Songs for Emerging Tenor Bass Choir
I. She walks in Beauty II. Travel
Choir - Sheet Music

Choral Piano, tenor voice

SKU: CF.BL1067

I. She walks in Beauty II. Travel. Composed by Noah Reese. Fold. Octavo. 12 pages. BriLee Music #BL1067. Published by BriLee Music (CF.BL1067).

UPC: 680160911783. 6.875 x 10.5 inches. Key: C major. English. Edna St. Vincent Millay (1892-1950) and Lord Byron (1788-1824).

Lord Byron was inspired to write the beautiful poem She Walks in Beauty upon meeting the wife of his first cousin in 1813. The poem describes her outward beauty as well as the inward qualities that Byron finds attractive. With limited ranges, beneficial for the emerging tenor bass choir, the piece is written in a way that will give young singers a chance to:

• Employ syllable and word stress by emphasizing important syllables/words in eighth note patterns
• Introduce easy harmonic sections that build the foundation of two-part singing

The haunting poem Travel by Edna St. Vincent Millay is about the innate and unquestionable longing to travel away from home, represented by the speakers willingness to get on a train regardless of the destination. The piece is written with a repetitive piano part which mimics the sound of a trains wheels, while the mixed meter and use of parallel motion is meant to give the audience a sense of not being settled in the life being led. Travel moves back and forth between minor and major, affording emerging singers opportunities to experience accidentals and chromatic movement. Due to a slightly higher difficulty, the repeat at the end of the song and the second verse are optional.
Lord Byron was inspired to write the beautiful poem She Walks in Beauty upon meeting the wife of his first cousin in 1813. The poem describes her outward beauty as well as the inward qualities that Byron finds attractive. With limited ranges, beneficial for the emerging tenor bass choir, the piece is written in a way that will give young singers a chance to:

• Employ syllable and word stress by emphasizing important syllables/words inA eighth note patterns
• Introduce easy harmonic sections that build the foundation of two-part singing

The haunting poem TravelA by Edna St. Vincent Millay is about the innate and unquestionable longing to travel away from home, represented by the speakeras willingness to get on a train regardless of the destination. The piece is written with a repetitive piano part which mimics the sound of a trainas wheels, while the mixed meter and use of parallel motion is meant to give the audience a sense of not being settled in the life being led. Travel moves back and forth between minor and major, affording emerging singers opportunities to experience accidentals and chromatic movement. Due to a slightly higher difficulty, the repeat at the end of the song and the second verse are optional.
Lord Byron was inspired to write the beautiful poem She Walks in Beauty upon meeting the wife of his first cousin in 1813. The poem describes her outward beauty as well as the inward qualities that Byron finds attractive. With limited ranges, beneficial for the emerging tenor bass choir, the piece is written in a way that will give young singers a chance to:

• Employ syllable and word stress by emphasizing important syllables/words in eighth note patterns
• Introduce easy harmonic sections that build the foundation of two-part singing

The haunting poem Travel by Edna St. Vincent Millay is about the innate and unquestionable longing to travel away from home, represented by the speaker's willingness to get on a train regardless of the destination. The piece is written with a repetitive piano part which mimics the sound of a train's wheels, while the mixed meter and use of parallel motion is meant to give the audience a sense of not being settled in the life being led. Travel moves back and forth between minor and major, affording emerging singers opportunities to experience accidentals and chromatic movement. Due to a slightly higher difficulty, the repeat at the end of the song and the second verse are optional.
Lord Byron was inspired to write the beautiful poem She Walks in Beauty upon meeting the wife of his first cousin in 1813. The poem describes her outward beauty as well as the inward qualities that Byron finds attractive. With limited ranges, beneficial for the emerging tenor bass choir, the piece is written in a way that will give young singers a chance to: Employ syllable and word stress by emphasizing important syllables/words in eighth note patterns Introduce easy harmonic sections that build the foundation of two-part singing The haunting poem Travel by Edna St. Vincent Millay is about the innate and unquestionable longing to travel away from home, represented by the speaker's willingness to get on a train regardless of the destination. The piece is written with a repetitive piano part which mimics the sound of a train's wheels, while the mixed meter and use of parallel motion is meant to give the audience a sense of not being settled in the life being led. Travel moves back and forth between minor and major, affording emerging singers opportunities to experience accidentals and chromatic movement. Due to a slightly higher difficulty, the repeat at the end of the song and the second verse are optional.
Lord Byron was inspired to write the beautiful poem She Walks in Beauty upon meeting the wife of his first cousin in 1813. The poem describes her outward beauty as well as the inward qualities that Byron finds attractive.With limited ranges, beneficial for the emerging tenor bass choir, the piece is written in a way that will give young singers a chance to: Employ syllable and word stress by emphasizing important syllables/words in  eighth note patterns Introduce easy harmonic sections that build the foundation of two-part singingThe haunting poem Travel by Edna St. Vincent Millay is about the innate and unquestionable longing to travel away from home, represented by the speaker’s willingness to get on a train regardless of the destination. The piece is written with a repetitive piano part which mimics the sound of a train’s wheels, while the mixed meter and use of parallel motion is meant to give the audience a sense of not being settled in the life being led.Travel moves back and forth between minor and major, affording emerging singers opportunities to experience accidentals and chromatic movement. Due to a slightly higher difficulty, the repeat at the end of the song and the second verse are optional.