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Monumenti Musicali Italiani XXIX. By Etienne Darbellay. Composed by Girolamo Frescobaldi. Opera or Operetta. Set (Score & Parts) with CD. Composed 2018. Edizioni Suvini Zerboni #ESZ 01417600. Published by Edizioni Suvini Zerboni (BT.ESZ-01417600).
This is the last volume in the series Monumenti Musicali Italiani dedicated to Frescobaldi and published in collaboration with the Societ italiana di Musicologia. It brings together the composer’s manuscript legacy, focusing mainly on keyboard music and unpublished instrumental or vocal works, authentic pieces or of doubtful attribution. Systematic combing through public and private archives and meticulous philological research have made it possible to present for the first time works by Frescobaldi that are without or with only partial concordances, unknown or unpublished, or versions that are authentic but differing from those already known. The work consists of three volumes: one of introductory Texts, divided into seven chapters and many sections and subsections, supplemented with a vast array of explanatory notes, numerous tables and reproductions followed by the critical apparati: and two volumes of Music totalling around 500 pages in the usual oblong format, practical for players. The volume of Texts also contains a CD with the texts in French (complete) and in English (Prefaces). The overall work is made up of over 1000 pages including three rich indices (forms/genres: pieces quoted in the apparatus and in the music scores) and numerous facsimile illustrations.
"Le volume est le dernier de la série des Monumenti Musicali Italiani dédiée Frescobaldi, publiée sous les auspices de la Societ Italiana di Musicologia. Il réunit l’héritage manuscrit du compositeur, centré principalement sur la musique de clavier et quelques pièces instrumentales ou vocales inédites, oeuvres authentiques ou d'attribution douteuse. Une investigation systématique dans les archives publiques et privées ainsi qu’une minutieuse enquête philologique ont permis de présenter pour la première fois des pages frescobaldiennes sans concordance ou avec des concordances partielles, inconnues ou inédites, ou des versions authentiques, mais différentes de celles connues. L'ouvrage se compose de trois volumes: l'un de Textes introductifs, divisé en sept chapitres et de nombreux paragraphes et sous-paragraphes, accompagnés d'une vaste gamme de notes explicatives, de nombreuses tables et reproductions que suit l'appareil critique : et deux volumes de Musiques totalisant presque 500 pages dans le format paysage habituel, facile pour les artistes. Un CD contenant les textes en français (intégralité) et en anglais (Préfaces) est joint au volume des Textes. Ce travail totalise plus de 1000 pages avec trois volumineux index (formes / genres, musiques aussi bien dans l'appareil critique que dans la musique), et d’abondantes illustrations en facsimile. "
"Il volume costituisce l’ultimo numero della collana Monumenti Musicali Italiani dedicata a Frescobaldi e pubblicata in collaborazione con la Societ italiana di Musicologia. Riunisce l’eredit manoscritta del compositore, centrata principalmente sulla musica per tastiera e opere strumentali o vocali inedite, brani autentici o di dubbia attribuzione. La ricognizione sistematica in archivi pubblici e privati e la meticolosa indagine filologica hanno consentito di presentare per la prima volta pagine frescobaldiane senza concordanza o con concordanze parziali, sconosciute o non pubblicate, o versioni autentiche, ma diverse da quelle gi note. L’opera si compone di tre volumi: uno di Testi introduttivi, suddivisi in sette capitoli e in numerosi paragrafi e sottoparagrafi, corredati di un vastissimo apparato di note esplicative, di numerose tabelle e riproduzioni alle quali seguono gli apparati critici: e due volumi di Musiche per un totale di ca. 500 pagine nel consueto formato oblungo, agevole per gli esecutori. Al volume di Testi è allegato un CD contenente i testi in francese (integrali) e in inglese (Prefazioni). L’opera consta di oltre 1000 pagine comprensive di tre corposi indici (forme/generi: brani citati sia nell’apparato che nelle musiche) e numerose illustrazioni in facsimile. ".
Monumenti Musicali Italiani XXIX. By Etienne Darbellay. Composed by Girolamo Frescobaldi. Opera or Operetta. Set (Score & Parts) with CD. Composed 2018. Edizioni Suvini Zerboni #ESZ 01417600. Published by Edizioni Suvini Zerboni (BT.ESZ-01417600).
This is the last volume in the series Monumenti Musicali Italiani dedicated to Frescobaldi and published in collaboration with the Societ italiana di Musicologia. It brings together the composer’s manuscript legacy, focusing mainly on keyboard music and unpublished instrumental or vocal works, authentic pieces or of doubtful attribution. Systematic combing through public and private archives and meticulous philological research have made it possible to present for the first time works by Frescobaldi that are without or with only partial concordances, unknown or unpublished, or versions that are authentic but differing from those already known. The work consists of three volumes: one of introductory Texts, divided into seven chapters and many sections and subsections, supplemented with a vast array of explanatory notes, numerous tables and reproductions followed by the critical apparati: and two volumes of Music totalling around 500 pages in the usual oblong format, practical for players. The volume of Texts also contains a CD with the texts in French (complete) and in English (Prefaces). The overall work is made up of over 1000 pages including three rich indices (forms/genres: pieces quoted in the apparatus and in the music scores) and numerous facsimile illustrations.
"Le volume est le dernier de la série des Monumenti Musicali Italiani dédiée Frescobaldi, publiée sous les auspices de la Societ Italiana di Musicologia. Il réunit l’héritage manuscrit du compositeur, centré principalement sur la musique de clavier et quelques pièces instrumentales ou vocales inédites, oeuvres authentiques ou d'attribution douteuse. Une investigation systématique dans les archives publiques et privées ainsi qu’une minutieuse enquête philologique ont permis de présenter pour la première fois des pages frescobaldiennes sans concordance ou avec des concordances partielles, inconnues ou inédites, ou des versions authentiques, mais différentes de celles connues. L'ouvrage se compose de trois volumes: l'un de Textes introductifs, divisé en sept chapitres et de nombreux paragraphes et sous-paragraphes, accompagnés d'une vaste gamme de notes explicatives, de nombreuses tables et reproductions que suit l'appareil critique : et deux volumes de Musiques totalisant presque 500 pages dans le format paysage habituel, facile pour les artistes. Un CD contenant les textes en français (intégralité) et en anglais (Préfaces) est joint au volume des Textes. Ce travail totalise plus de 1000 pages avec trois volumineux index (formes / genres, musiques aussi bien dans l'appareil critique que dans la musique), et d’abondantes illustrations en facsimile. "
"Il volume costituisce l’ultimo numero della collana Monumenti Musicali Italiani dedicata a Frescobaldi e pubblicata in collaborazione con la Societ italiana di Musicologia. Riunisce l’eredit manoscritta del compositore, centrata principalmente sulla musica per tastiera e opere strumentali o vocali inedite, brani autentici o di dubbia attribuzione. La ricognizione sistematica in archivi pubblici e privati e la meticolosa indagine filologica hanno consentito di presentare per la prima volta pagine frescobaldiane senza concordanza o con concordanze parziali, sconosciute o non pubblicate, o versioni autentiche, ma diverse da quelle gi note. L’opera si compone di tre volumi: uno di Testi introduttivi, suddivisi in sette capitoli e in numerosi paragrafi e sottoparagrafi, corredati di un vastissimo apparato di note esplicative, di numerose tabelle e riproduzioni alle quali seguono gli apparati critici: e due volumi di Musiche per un totale di ca. 500 pagine nel consueto formato oblungo, agevole per gli esecutori. Al volume di Testi è allegato un CD contenente i testi in francese (integrali) e in inglese (Prefazioni). L’opera consta di oltre 1000 pagine comprensive di tre corposi indici (forme/generi: brani citati sia nell’apparato che nelle musiche) e numerose illustrazioni in facsimile. ".
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