Fiddler on the Roof - Part 1
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Description
SKU: BT.HL03745222
Composed by Jerry Bock, Sheldon Harnick. Arranged by Michael Brown. Esprit Marching Band. Set (Score & Parts). Composed 2007. Hal Leonard #HL03745222. Published by Hal Leonard (BT.HL03745222).UPC: 884088146634.
Fiddler on the Roof endures as one of the landmark musicals of all time. Michael Brown's opening production for the field starts with a “flute on the roof,” joined shortly by a solo clarinet. After a quick buildto a climax, “Matchmaker” is treated creatively in 4/4 and a driving tempo. With plenty of variety and powerful ensemble scoring, this is a perfect way to open a show.
Fiddler on the Roof endures as one of the landmark musicals of all time. Michael Brown's opening production for the field starts with a “flute on the roof,” joined shortly by a solo clarinet. After a quick buildto a climax, “Matchmaker” is treated creatively in 4/4 and a driving tempo. With plenty of variety and powerful ensemble scoring, this is a perfect way to open a show.
Fiddler on the Roof endures as one of the landmark musicals of all time. Michael Brown's opening production for the field starts with a “flute on the roof,” joined shortly by a solo clarinet. After a quick buildto a climax, “Matchmaker” is treated creatively in 4/4 and a driving tempo. With plenty of variety and powerful ensemble scoring, this is a perfect way to open a show.
Fiddler on the Roof endures as one of the landmark musicals of all time. Michael Brown's opening production for the field starts with a “flute on the roof,” joined shortly by a solo clarinet. After a quick buildto a climax, “Matchmaker” is treated creatively in 4/4 and a driving tempo. With plenty of variety and powerful ensemble scoring, this is a perfect way to open a show.
Fiddler on the Roof endures as one of the landmark musicals of all time. Michael Brown's opening production for the field starts with a “flute on the roof,” joined shortly by a solo clarinet. After a quick buildto a climax, “Matchmaker” is treated creatively in 4/4 and a driving tempo. With plenty of variety and powerful ensemble scoring, this is a perfect way to open a show.