O Come, Let Us Sing unto the Lord
from Two Anthems SATB and Organ
by Morten Lauridsen
Choir - Sheet Music

SATB Choir and Organ

SKU: BT.HL00229118

From Two Anthems SATB and Organ. Composed by Morten Lauridsen. Peermusic Classical. Classical. Choral Score. Composed 2010. Peermusic Classical #HL00229118. Published by Peermusic Classical (BT.HL00229118).

UPC: 680160551699.

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of “I will lift up mine eyes,” an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give “O come, let us sing unto the Lord” a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem.

--Byron Adams

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of “I will lift up mine eyes,” an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give “O come, let us sing unto the Lord” a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem.

--Byron Adams

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of “I will lift up mine eyes,” an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give “O come, let us sing unto the Lord” a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem.

--Byron Adams

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of “I will lift up mine eyes,” an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give “O come, let us sing unto the Lord” a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem.

--Byron Adams

These two anthems are examples of Lauridsen's style in embryo, as it were, for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of “I will lift up mine eyes,” an a cappella setting of Psalm 121, evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give “O come, let us sing unto the Lord” a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem.

--Byron Adams.