World's Largest Sheet Music Selection

19466084
Un Petit Soirée
19466084
19466084

Un Petit Soirée String Orchestra - Sheet Music

Un Petit Soirée String Orchestra scores gallery preview page 1
Un Petit Soirée String Orchestra scores gallery preview page 2
Un Petit Soirée String Orchestra - Sheet Music
Un Petit Soirée String Orchestra - Sheet Music page 2
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 1.5

SKU: CF.FAS57

Composed by George Sweet. Folio. First-Plus String Orchestra (FAS). Score and parts. With Standard notation. 43 pages. Carl Fischer Music #FAS57. Published by Carl Fischer Music (CF.FAS57).

ISBN 9780825873164. UPC: 798408073169. 9 x 12 inches. Key: B minor.

Un petit soiree is music that is intended to accompany a picnic or a small party. It could also be used to provide music for any type of ceremonial function as well. Light and dance-like with a singable melody, this piece offers many opportunities to play the same musical material in contrasting styles. Up-and-coming composer George Sweet draws on his experience as a string educator to provide us with an exceptionally musical new piece for the developing string ensemble. Duration: 2:39.
Un petit soirée is music that is intended to accompany a picnic or a small party. It could also be used to provide music for any type of ceremonial function as well. The piece offers many opportunities to play the same musical material in contrasting styles. The introduction should be broad and majestic, setting the tone for the main theme that follows at m. 5. Pay close attention to dynamics and articulation as they determine the contrasting styles. The pizzicato sections that begin at m. 21 should be as light as possible and remain that way every time they appear. The B section that begins at m. 46 should be loud and full, taking advantage of the full bow. This leads to a presentation of the main theme in a broadxa0 regal style at m. 54. This should be played in the same style as the introduction, which reappears at m. 60. The piano dynamic here should be as soft as possible, allowing room for the crescendo to grow and bring the piece to a close.

Close X

By signing up you consent with the terms in our Privacy Policy

I am a music teacher.