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18102918
Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart
18102918
18102918

Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart With works by Dietrich Buxtehude, Johann Adam Reinken and Johann Pachelbel by Johann Sebastian Bach Organ - Sheet Music

By Johann Sebastian Bach
Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart Organ scores gallery preview page 1
Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart Organ scores gallery preview page 2
Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart by Johann Sebastian Bach Organ - Sheet Music
Weimarer Orgeltabulatur. Johann Sebastian Bach's earliest music manuscripts, and copies by his pupil Johann Martin Schubart by Johann Sebastian Bach Organ - Sheet Music page 2
Organ

SKU: BA.BA05248

With works by Dietrich Buxtehude, Johann Adam Reinken and Johann Pachelbel. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Paperback. Mit Werken von Dietrich Buxtehude, Johann Adam Reinken und Johann Pachelbel. Performance score. Baerenreiter Verlag #BA05248. Published by Baerenreiter Verlag (BA.BA05248).

ISBN 9790006534685. 11.81 x 9.06 inches.

In contrast to Wolfgang Amadeus Mozart, very little was known about Johann Sebastian Bach’s early years until recently. His early works, such as the cantata “Christ lag in Todesbanden ” and the famous Toccata in D minor, reveal a composer who achieved mastery at a young age but not the route to this status.

In Weimar , Peter Wollny and Michael Maul have discovered copies of works by Dietrich Buxtehude and Johann Adam Reinken made by Bach between the ages of twelve and fifteen.

This publication contains facsimiles followed by a transcription of the original tablature notation as a critical edition. It includes an extensive foreword which describes the source and the likely conditions in which Bach made the transcriptions. This publication provides the first reliable edition of Reinken’s “An Wasserflüssen Babylon” and the earliest source of Buxtehude’s “Nun freut euch , lieben Christen g’mein ”. Two chorale preludes by Pachelbel set the performing practice scene of the time; the numerous ornaments are probably even by Bach himself.

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