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2. Lesung für Harfe Solo. Composed by Rene Staar. Sheet music. Op. 22 / Q.ter. Duration 6'. Verlagsgruppe Hermann #VGH 2703-70. Published by Verlagsgruppe Hermann (M7.VGH-2703-70).
ISBN 9790206660450.
Originally one of the numbers from the accordion cycle Metaphysical Jazz op. 22q bis, the same harmonic material is once again used, so to speak, for a "2nd reading" for harp, although in its design it is a completely autonomous musical entity. The first part of the piece appears as a lively organism with a plethora of thematically divergent sections that gradually calm down. The second part begins very quietly, even mysteriously, to gradually become more lively until it dissipates in the final measures. The minimal structures in the first part represent the tangibility of the subject matter, which consists of many different charactersfrom the dramatic to the playful to the mysterious and dance-like, to name a few. The second part on the other hand, is dominated by the great line, which emerges quite mystically from the final fermata of the second part, as if one astronomer suddenly noticed that behind a galaxy there is a celestial object that emits strange signalsperhaps acoustic waves?
2. Lesung für Harfe Solo. Composed by Rene Staar. Sheet music. Op. 22 / Q.ter. Duration 6'. Verlagsgruppe Hermann #VGH 2703-70. Published by Verlagsgruppe Hermann (M7.VGH-2703-70).
ISBN 9790206660450.
Originally one of the numbers from the accordion cycle Metaphysical Jazz op. 22q bis, the same harmonic material is once again used, so to speak, for a "2nd reading" for harp, although in its design it is a completely autonomous musical entity. The first part of the piece appears as a lively organism with a plethora of thematically divergent sections that gradually calm down. The second part begins very quietly, even mysteriously, to gradually become more lively until it dissipates in the final measures. The minimal structures in the first part represent the tangibility of the subject matter, which consists of many different charactersfrom the dramatic to the playful to the mysterious and dance-like, to name a few. The second part on the other hand, is dominated by the great line, which emerges quite mystically from the final fermata of the second part, as if one astronomer suddenly noticed that behind a galaxy there is a celestial object that emits strange signalsperhaps acoustic waves?
Preview: ... von dieser Sterneinsamkeit zu jener Sterneinsamkeit op. 22 / Q.ter
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