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Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
Solo concerto; Early classical. Part. 14 pages. Duration 25'. Breitkopf and Haertel #OB 5502-26. Published by Breitkopf and Haertel (BR.OB-5502-26).
ISBN 9790004337226. 9 x 12 inches.
The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts."Here is a beautifully clear solo copy with precious few slurring marks. There are no performance indications in the piano part either. Let each player find his own truth." (Mary Nemet, Stringendo).
Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
Solo concerto; Early classical. Part. 14 pages. Duration 25'. Breitkopf and Haertel #OB 5502-26. Published by Breitkopf and Haertel (BR.OB-5502-26).
ISBN 9790004337226. 9 x 12 inches.
The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts."Here is a beautifully clear solo copy with precious few slurring marks. There are no performance indications in the piano part either. Let each player find his own truth." (Mary Nemet, Stringendo).
Preview: Violoncello Concerto in A minor Wq 170
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