Trio Sonata in B flat major based on BWV 525 and BWV 1032 Reconstruction by Johann Sebastian Bach Score - Sheet Music

By Johann Sebastian Bach

It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments - the range suggests an alto recorder and oboe - were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.

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Details

Summary
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Kammermusik-Bibliothek
ISBN:
9790004502426
Format:
Score
Item types:
Physical
Musical forms:
Sonata
Artist:
Johann Sebastian Bach
Usages:
School and Community
Number of Pages:
36
Size:
9 x 12 inches
Shipping Weight:
0.44 pounds
Detailed Description
Trio Sonata

SKU: BR.KM-2277

Reconstruction. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version. Sonata; Baroque. Score. 36 pages. Breitkopf and Haertel #KM 2277. Published by Breitkopf and Haertel (BR.KM-2277).

ISBN 9790004502426. 9 x 12 inches.

It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments - the range suggests an alto recorder and oboe - were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.

In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.

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