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Composed by Frederic Devreese. Symphonic Series. Set (Score & Parts). Composed 2009. 10 pages. Beriato Music #BMP9031440. Published by Beriato Music (BT.BMP9031440).
For Frédéric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese�s music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another.
Een dans, en vooral de wals, is voor Devreese steeds verbonden met de mens als danser, een dans wordt zo een ervaring, een belevenis, en bijgevolg gaan zijn walsen in feite over menselijke gevoelens. Wie Devreeses muziek een beetjevolgt, weet dat die verschillende facetten voor hem niet los van elkaar staan. De filmmuziek en de concertwerken versterken en be?nvloeden elkaar.
Frédéric Devreese sieht den Tanz und besonders den Walzer nur in Verbindung mit dem Tänzer, wodurch der Tanz zu einem Experiment, ja zu einem Abenteuer wird. Das Ergebnis ist ein Walzer voller menschlicher Emotionen. Denjenigen, die die Musik von Devreese ein wenig kennen, dürfte nicht entgangen sein, dass sich die unterschiedlichen Facetten nicht voneinander trennen lassen. Seine Filmmusiken und Konzertwerke stärken und beeinflussen sich gegenseitig.
Pour Frédéric Devreese, la danse, et la valse en particulier, est toujours liée l?tre humain en tant que danseur. La danse devient ainsi une expérience, une aventure, et par conséquent ses valses parlent des sentiments humains. Ceux qui connaissent un peu la musique de Devreese, savent que ces différentes facettes ne sont pas séparées ses yeux. Les musiques de films et les uvres concertantes se renforcent et sinfluencent mutuellement.
Composed by Frederic Devreese. Symphonic Series. Set (Score & Parts). Composed 2009. 10 pages. Beriato Music #BMP9031440. Published by Beriato Music (BT.BMP9031440).
For Frédéric Devreese, a dance, and especially the waltz, is increasingly linked to the person as a dancer, so that a dance becomes an experience, an adventure; and as a result, they in fact waltz to human emotions. Those who follow Devreese�s music a little know that, for him, the different facets are not separate from each other. The film scores and the concert pieces strengthen and influence one another.
Een dans, en vooral de wals, is voor Devreese steeds verbonden met de mens als danser, een dans wordt zo een ervaring, een belevenis, en bijgevolg gaan zijn walsen in feite over menselijke gevoelens. Wie Devreeses muziek een beetjevolgt, weet dat die verschillende facetten voor hem niet los van elkaar staan. De filmmuziek en de concertwerken versterken en be?nvloeden elkaar.
Frédéric Devreese sieht den Tanz und besonders den Walzer nur in Verbindung mit dem Tänzer, wodurch der Tanz zu einem Experiment, ja zu einem Abenteuer wird. Das Ergebnis ist ein Walzer voller menschlicher Emotionen. Denjenigen, die die Musik von Devreese ein wenig kennen, dürfte nicht entgangen sein, dass sich die unterschiedlichen Facetten nicht voneinander trennen lassen. Seine Filmmusiken und Konzertwerke stärken und beeinflussen sich gegenseitig.
Pour Frédéric Devreese, la danse, et la valse en particulier, est toujours liée l?tre humain en tant que danseur. La danse devient ainsi une expérience, une aventure, et par conséquent ses valses parlent des sentiments humains. Ceux qui connaissent un peu la musique de Devreese, savent que ces différentes facettes ne sont pas séparées ses yeux. Les musiques de films et les uvres concertantes se renforcent et sinfluencent mutuellement.
Preview: Three Waltzes For Symphonic Band
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