The Clippinger Class-Method Of Voice Culture
by Henry Bishop
Chamber Music - Sheet Music

Item Number: 1910970
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Instruments
Voice
Ensembles
Chamber Music
Genres
Renaissance
Classical Period
Romantic Period
Baroque Period
Composers
Louis Spohr
Halfdan Kjerulf
Thomas Morley
Franz Schubert
Anton Rubinstein
Johannes Brahms
George Frideric Handel
Adolf Jensen
Ferdinand Sieber
Felix Bartholdy Mendelssohn
Henry Bishop
Publishers
Theodore Presser Company
Formats
Score
Item Types
Physical
Instructionals
Etudes and Exercises
Methods and More
Usages
School and Community
Sacred
Chamber Music Voice

SKU: PR.431400890

Composed by Adolf Jensen, Anton Rubinstein, David Clippinger, Eduard Lassen, Edward Purcell, Erik Meyer-Helmund, Felix Bartholdy Mendelssohn, Ferdinand Sieber, Franz Schubert, George Frideric Handel, George Nevin, H. Norris, Henry Bishop, Johannes Brahms, Louis Spohr, and etc. Edited by Ebenezer Prout, Frank Damrosch, Granville Bantock, Heinrich Kiehl, and W.A.F. Arranged by Charles Stanford, Granville Bantock, Heinrich Reimann, Louis Dressler, and William Fisher. Sws. Classical. Methods And Studies. With Standard notation. Composed Oct-32. 134 pages. Theodore Presser Company #431-40089. Published by Theodore Presser Company (PR.431400890).

ISBN 9780934009829. UPC: 680160093700. 9 x 12 inches. Text: David Clippinger. William Shakespeare, Sir Philip Sidney, Robert Louis Stevenson, Peggy Bash Heckel, Matthew Lewis, Ludwig Uhland, Karl Simrock, Hezekiah Butterworth, Herbert Trench, Henry Purcell, Heinrich Heine, Franz Ruckert, Edward Oxenford, David Clippinger, Charles D.

This book contains 26 lessons and exercises, plus a variety of songs and duets for voice and piano. The book was written for class use but could be used for individual instruction as well. The vocal texts are in English.

  • All Through The Night
  • Angels, Ever Bright And Fair
  • Begone, Dull Care
  • Cradle Song
  • Cradle Song (Duet)
  • Faith In Spring
  • Friendship (Duet)
  • Funiculi, Funicula (A Merry Heart)
  • How Still The Night!
  • I Attempt from Love's Sickness to Fly
  • In Night'S Still Calm
  • In the Garden
  • Introduction
  • It Was A Lover And His Lass
  • Last Night (Duet)
  • Lesson 1: An Outline
  • Lesson 10: Tone Quality
  • Lesson 11: Resonance
  • Lesson 12: Study Of Consonants
  • Lesson 13: Phonetic Spelling
  • Lesson 14: Study Of Consonants, Continued
  • Lesson 16: Voice-Placing
  • Lesson 17: The Head Voice
  • Lesson 18: Observations On The Male Voice
  • Lesson 19: Legato And Sostenuto
  • Lesson 2: Stage Presence
  • Lesson 20: Staccato
  • Lesson 21: Embellishments
  • Lesson 22: Flexibility
  • Lesson 23: Interpretation
  • Lesson 24: Proportion And Unity
  • Lesson 25: The Use Of The Imagination
  • Lesson 26: How To Study A Song
  • Lesson 4: Breath-Control (Attack)
  • Lesson 5: Breath-Control (Deep Breathing)
  • Lesson 6: Freedom From Tension
  • Lesson 7: Vowel Formation
  • Lesson 8: Vowel Color
  • Lesson 9: Double Vowels
  • Lesson 3: Breath-Control (The Diaphragm)
  • Lessson 15: The Even Scale
  • Love Has Eyes
  • My Love's an Arbutus
  • Nearest And Dearest (Duet)
  • Noon And Night
  • O Rest in the Lord
  • Old Love Song
  • On The Banks Of Allan Water
  • Out Of My Soul's Great Sadness
  • Page, The
  • Passing By
  • Polysyllabic Study, A
  • Rose Softly Blooming
  • Shadow Song
  • Spring Song (Duet)
  • Sweetheart Of Mine
  • Swing Low, Sweet Chariot
  • There Was A Jolly Miller
  • Thou Art Near Me, Margarita
  • Venetian Boat Song
  • Wanderer'S Night Song (Duet)
  • When Love Passed By
  • When The Bluebird Sings (Duet)