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22919149
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante
22919149
22919149

Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante by Baldassare Galuppi Piano Solo - Digital Sheet Music

By Baldassare Galuppi
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante Piano Solo scores gallery preview page 1
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante Piano Solo scores gallery preview page 2
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante Piano Solo scores gallery preview page 3
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante Piano Solo scores gallery preview page 4
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante by Baldassare Galuppi Piano Solo - Digital Sheet Music
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante by Baldassare Galuppi Piano Solo - Digital Sheet Music page 2
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante by Baldassare Galuppi Piano Solo - Digital Sheet Music page 3
Sonata VI in C Major (from T. 27 From XXV Sonatas) - Andante by Baldassare Galuppi Piano Solo - Digital Sheet Music page 4
Piano, Piano Solo - Digital Download

SKU: A0.1553598

Composed by Baldassare Galuppi. Arranged by Richard Willmer. This edition: pdf. Baroque, Classical, Historic. Score. 7 pages. Richard Willmer #1125944. Published by Richard Willmer (A0.1553598).

Baldassare Galuppi (1706 - 1785), also known as il Buranello, after his birthplace on the island of
Burano, in the Venetian lagoon, lived in an age of transition. His early life saw Bach and Handel as
great living composers, while in more mature years he was a contemporary of Haydn and Mozart
As would befit such times, he also wrote music in both the "ancient" and "modern" styles. He can
write concerti grossi in the style of Corelli as well as sonate that are full of Mozartian grace.

This sonata was rendered famous by Arturo Benedetti-Michelangelo's recording of it on the piano
and this is how I first heard it.

Here I present the first movement only.

My version differs from the manuscript, which I have consulted, in that I "double" the values of the
notes to make it easier to read and also to avoid having phrases that last only one or two bars. I have
written out most ornaments, reflecting how I would interpret them. I repeat bars 15 and 16, a repeat
missing in the manuscript, but which seems to me (and to Benedetti-Michelangeli) to be necessary
if we are to maintain the echo which Galuppi requires throughout. Most dynamics are to be found in
the source, though I did try to order them a bit for consistency's sake.

This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

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