Selected Studies Book 3
by Various
Piano Method - Sheet Music

Item Number: 19466675
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Piano Solo - Easy-Intermediate

SKU: FP.FHC14

Composed by Various. Edited by Cuthbert Harris. Sheet Music and Books. A third set of progressive yet playable studies for piano, selected and edited by Cuthbert Harris. Classical, Studies & Exercises. Method Book. Forsyths Publications #FHC14. Published by Forsyths Publications (FP.FHC14).

ISBN 9790570501298.

Himself the master of writing the progressive yet playable study, Cuthbert Harris was the ideal judge when compiling this masterful series of graded studies by the great masters including Czerny, Chopin, Bertini, Heller and Lemoine. Includes exercises targeting all areas of phrasing, style, touch, agility and independence of the fingers, as well as scales and chords.

Composer and musicologist Cuthbert Harris was born in Holloway, London and attended the London Organ School and the London Academy of Music before graduating in music from the University of Durham. He became a Fellow of the Royal College of Organists in July 1889 and was professor of organ and composition at the London Organ School.

His considerable skill and experience of writing for learners is evident throughout the collections of tutors, studies and piano pieces still published by Forsyth today. The books are both lively and imaginative and carefully lead the pupil through every stage necessary to develop a complete technique. He also wrote a fantastic selection of short pieces for piano under the pseudonym Gladys Cumberland, also published by Forsyth.

  • Bertini (From '12 Little Preludes and Pieces') - For Strengthening the Fingers
  • Lemoine, Op. 37, No.3 - For Contrasts of Style and Tone
  • Duvernoy, Op.176, No.8 - For Phrasing
  • Bertini (From '12 Little Preludes and Pieces') - For Crossing the Left Hand
  • Heller, Op. 47, No.19 - For Style and Expression
  • Burgmuller, Op.100, No.5 - For Gracefulness of Style and Phrasing
  • Duvernoy, Op.176, No.8 - For Phrasing
  • Czerny, Op.139, No.8 - For Contrasts of Touch and Tone
  • Bertini, Op.137 - For Finger Control
  • Loeschhorn, Op.65, No.5 - For Evenness of Touch
  • Bertini, Op.137 - For Legato and Staccato
  • Czerny, Op.261, No.11 - For Finger Agility