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22535435
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments
22535435
22535435

Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp - Sheet Music

Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp scores gallery preview page 1
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp scores gallery preview page 2
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp scores gallery preview page 3
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp - Sheet Music
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp - Sheet Music page 2
Rule for Learning the Basso Continuo. Chordal schemes for the introduction to the practice of accompaniment in the 17th and 18th centuries on Lute, Theorbo, Guitar, Harp and Keyboard instruments Harp - Sheet Music page 3
Lute; Theorbo; Guitar; Music Education; Early Music

SKU: UT.SDS-27

Composed by Paolo Cherici. Paolo Cherici Collection. Classical. Book. Ut Orpheus #SDS 27. Published by Ut Orpheus (UT.SDS-27).

ISBN 9790215327931. 9 x 12 inches.

Conceived in particular for lutenists and guitarists, but equally suitable for other instrumentalists interested in playing continuo such as keyboard players and harpists, this Rule for learning the basso continuo aims at providing a visual scheme in the form of a handbook able to set out in a complete way the chords of the eighteenth-century harmonic system in relation to the respective degrees of the major and minor scale. It does not satisfy the need to acquire the correct connections between the chords. For this, it is necessary to refer to the plentiful Baroque treatises on the subject.

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