Order two or more copies of the same title and we'll automatically give you 5% off list price on that title.
To get 2+ Pricing , just add two or more copies of a title to your shopping cart. Your discount will be immediately applied to your order.
Sale titles, hymnals, and ShowKits (MTI's Broadway Junior Collection, Getting to Know... Collection (G2K) and MTI's Kids Collection) do not qualify for 2+ Pricing
If you have any questions or comments regarding 2+ Pricing , please feel free to email us at info@sheetmusicplus.com
Composed by Ralph Vaughan-Williams. Arranged by Russell McKinney. 20th Century British. Score and parts. Cherry Classics #CC3861. Published by Cherry Classics (CY.CC3861).
In 1920, Ralph Vaughan Williams composed a set of three organ preludes based on Welsh hymn tunes. Of those three, Rhosymedre quickly became established in organ repertoire and has had enduring popularity. Shortly after the publication for organ, an arrangement for string orchestra with some optional wind parts was available from the same publisher. In the decades since, many other arrangements of it have appeared for various ensembles including brass band, wind ensemble, flute choir, and even handbell ensemble.
In this arrangement, I have endeavored to recreate the sonorities of the original organ piece for trombone choir. I chose to write it for ten trombones so that the long legato lines could be dovetailed between parts, and therefore more sustained overall. I also wanted to create parts that did not overly tax endurance when performing the piece with one player on a part.
The layout of the score follows the layout of the original organ score. The first six trombones play the parts from the manuals other than the solo stop. Trombones 7 and 8 then, take the part of the solo stop for the hymn tune. And the bass trombones 9 and 10 are the pedal part from the original.
Trombone 6 is suggested to be performed on bass trombone mostly because of the sonority, (though I think there are technical advantages as well), but could also be successfully performed on a large bore tenor trombone with F-attachment.
Trombones 7 & 8 should be prominent and warmly projected, but not forced in tone quality. They mostly alternate the phrases of the hymn tune to enable a sonorous, connected line. They could even be placed in front of the ensemble. In any event, their sound should ride on top of the overall ensemble a bit.
Bass trombone 10 can be performed on contrabass trombone.
It will be noted that in many cases the note values of bass trombone 10 are shorter than that of bass trombone 9 when doubling the same line at the octave. This is intentional and meant to recreate the mix of sustain and decay that one gets from a pedal division of an organ with the stops RVW calls for in his original score.
—Russell McKinney This gorgeous 4 minute long setting of Rhosymedre for Trombone Choir arranged by Russell McKinney is very approachable by most trombone ensembles with all 10 parts in bass clef and presents no technical or endurance issues. Instrumentation is for 7 tenors and 3 bass trombones.
Composed by Ralph Vaughan-Williams. Arranged by Russell McKinney. 20th Century British. Score and parts. Cherry Classics #CC3861. Published by Cherry Classics (CY.CC3861).
In 1920, Ralph Vaughan Williams composed a set of three organ preludes based on Welsh hymn tunes. Of those three, Rhosymedre quickly became established in organ repertoire and has had enduring popularity. Shortly after the publication for organ, an arrangement for string orchestra with some optional wind parts was available from the same publisher. In the decades since, many other arrangements of it have appeared for various ensembles including brass band, wind ensemble, flute choir, and even handbell ensemble.
In this arrangement, I have endeavored to recreate the sonorities of the original organ piece for trombone choir. I chose to write it for ten trombones so that the long legato lines could be dovetailed between parts, and therefore more sustained overall. I also wanted to create parts that did not overly tax endurance when performing the piece with one player on a part.
The layout of the score follows the layout of the original organ score. The first six trombones play the parts from the manuals other than the solo stop. Trombones 7 and 8 then, take the part of the solo stop for the hymn tune. And the bass trombones 9 and 10 are the pedal part from the original.
Trombone 6 is suggested to be performed on bass trombone mostly because of the sonority, (though I think there are technical advantages as well), but could also be successfully performed on a large bore tenor trombone with F-attachment.
Trombones 7 & 8 should be prominent and warmly projected, but not forced in tone quality. They mostly alternate the phrases of the hymn tune to enable a sonorous, connected line. They could even be placed in front of the ensemble. In any event, their sound should ride on top of the overall ensemble a bit.
Bass trombone 10 can be performed on contrabass trombone.
It will be noted that in many cases the note values of bass trombone 10 are shorter than that of bass trombone 9 when doubling the same line at the octave. This is intentional and meant to recreate the mix of sustain and decay that one gets from a pedal division of an organ with the stops RVW calls for in his original score.
—Russell McKinney This gorgeous 4 minute long setting of Rhosymedre for Trombone Choir arranged by Russell McKinney is very approachable by most trombone ensembles with all 10 parts in bass clef and presents no technical or endurance issues. Instrumentation is for 7 tenors and 3 bass trombones.
Preview: Rhosymedre for Trombone Choir
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.