Details
Summary
- Instrument:
- Piano
- Genres:
- Romantic Period
- Composers:
- Robert Schumann
- Publishers:
- Edition Peters
- ISBN:
- 9790577014807
- Format:
- Score
- Item types:
- Physical
- Artist:
- Robert Schumann
- Usages:
- School and Community
- Size:
- 232 x 303mm inches
- Number of Pages:
- 12
- Shipping Weight:
- 0.19 pounds
Detailed Description
SKU: PE.EP73161
From the Series "More Than the Score...". Composed by Robert Schumann. Piano Sheet. Edition Peters. Score. 12 pages. Edition Peters #98-EP73161. Published by Edition Peters (PE.EP73161).ISBN 9790577014807. 232 x 303mm inches. English.
more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy, right up to John Cage. Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score.
All titles in the Edition Peters more than the score… series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler.
more than the score… draws on material released on Tido Music, a revolutionary web resource and iPad app.
Similar Sheet Music & Digital Downloads
- More by this Composer:
- Robert Schumann Robert Schumann Piano Accompaniment Robert Schumann Voice Robert Schumann Piano, Vocal
- Instrument:
- Piano and Keyboard Piano
- Artists:
- Robert Schumann
- Publisher:
- Edition Peters
Ratings + Reviews
5 Rating
1 review
Colin
Oct 3, 2019
Daniel Grimwoods commentary to Reverie from Kinderscenen is very helpful. What he says applies to Schumanns piano music generally, not just this piece. He covers phrasing, pedalling and flexibility of tempo. Concerning the latter he notes, Flexibility of tempo in much of Schumans music is of paramount importance, and not least of all because he was an improviser, and improvisers tend not to think in terms of barlines. No one, I suppose, knows why Schumanns tempo indication for this piece is so fast and we may just have to be content to take Clara Schumanns advice to simply ignore her husbands metronome markings. The last word may be left to Emily Kilpartrick who says that for Schumann childhood symbolised purity and intrinsic truth, and profundity of meaning was best achieved through simplicity of expression.