Piano Concerto No. 2 in G-minor Op. 22 Piano Reduction by Camille Saint-Saens Piano Solo - Sheet Music

By Camille Saint-Saens

Given Saint-Saëns' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role.” He realised this concept of a “symphonic concerto” in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Rogé supplies the fingerings for the solo part.

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Details

Summary
Instrument:
Piano Solo
Genres:
Romantic Period
Composers:
Camille Saint-Saens
Publishers:
G. Henle
Series:
Henle Urtext
UPC:
888680683023
ISBN:
9790201813554
EAN:
9790201813554
Format:
Reduction Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Artist:
Camille Saint-Saens
Usages:
School and Community
Size:
9.25x12.25x0.278 inches
Number of Pages:
84
Shipping Weight:
0.94 pounds
Detailed Description
Piano (2 Pianos, 4-hands)

SKU: HL.51481355

Piano Reduction. Composed by Camille Saint-Saens. Edited by Peter Jost. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 84 pages. G. Henle #HN1355. Published by G. Henle (HL.51481355).

ISBN 9790201813554. UPC: 888680683023. 9.25x12.25x0.278 inches.

Given Saint-Saëns' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role.” He realised this concept of a “symphonic concerto” in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Rogé supplies the fingerings for the solo part.

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