...or a musician (Full Score)
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SATB chorus and orchestra: 2200, 0200, timpani, harpsichord/celeste, strings - Moderately Advanced
Voice parts are in a comfortable range, and orchestra parts are playable by a good community orchestra (i.e. no "killer" passages). The biggest challenge of this piece is frequent tempo changes, so everyone has to watch the conductor, but you want them to do that anyway, don't you? Range: Soprano: d'-g", Sop. solo: e" -c"', Alto: g-d", Tenor: d-a', Bass: G-d'(f ')Text: In the great nave of the church, we eat noodles and throw dice, while at lunch in the cafe a man sinks to his knees, muttering prayers and touching the floor with his head. A minister delivers a sermon that sounds suspiciously like a recipe for coq au vin, while someone else has hung beautiful laundry out to dry on the wide-open arms of a cross. We're confused but happy to be so, unclear as to whether that was God who just walked by or a musician on her way to a concert, the whole next world squeezed into her black case. Copyright by Philip Dacey. Reprinted by permission of the poet.
SKU: SF.SEA-007-00
Composed by Elizabeth Alexander. Collegiate Repertoire, Community Chorus, Concert Music. Music, Choral. Full score. With Text language: English. Duration 10 minutes. Published by Seafarer Press (SF.SEA-007-00).Poem by Philip Dacey, "The Musician".
This mercurial musing on music's mysterious source draws its literary inspiration from a spirited poem by Philip Dacey, in which the sacred and secular merge into one powerful creative force. A rollicking 10-minute montage of musical styles ranging from Bach to barbershop, both lighthearted and ultimately transcendent.
Commissioned by Wisconsin Chamber Orchestra and American Master Chorale; David Lewis Crosby, artistic director (Madison, WI)Voice parts are in a comfortable range, and orchestra parts are playable by a good community orchestra (i.e. no "killer" passages). The biggest challenge of this piece is frequent tempo changes, so everyone has to watch the conductor, but you want them to do that anyway, don't you? Range: Soprano: d'-g", Sop. solo: e" -c"', Alto: g-d", Tenor: d-a', Bass: G-d'(f ')Text: In the great nave of the church, we eat noodles and throw dice, while at lunch in the cafe a man sinks to his knees, muttering prayers and touching the floor with his head. A minister delivers a sermon that sounds suspiciously like a recipe for coq au vin, while someone else has hung beautiful laundry out to dry on the wide-open arms of a cross. We're confused but happy to be so, unclear as to whether that was God who just walked by or a musician on her way to a concert, the whole next world squeezed into her black case. Copyright by Philip Dacey. Reprinted by permission of the poet.