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Composed by Traditional. Arranged by Glenda Franklin. Octavo. Octavo. BriLee Music #BL1364. Published by BriLee Music (CF.BL1364).
UPC: 680160927494. Key: Eb major. English.
This lively folk song arrangement features melodies in both voicings. Neither part should overshadow the other. Each melody, playful and repetitive, should simply float with plenty of breath support throughout. The theme of the piece is the expression of a lighthearted impatience as one awaits the return of a promised gift from the bearer. Oh Dear, What Can the Matter Be? is based on a traditional folk song that has been popular for over 200 years. Originally from England, it reached widespread popularity in the late 1700s before reaching the United States shortly after America gained independence. The piece quickly gained popularity as a concert selection in cities like New York and Philadelphia. It was first published as sheet music in 1792.Throughout American history, county fairs have been popular, especially in rural areas. The fairs, usually occurring just once a year, would be a major event for the community. During these rare occasions, trinkets and presents were available for purchase. Those not able to attend the fair looked forward to the gifts brought back to them by those attending.This lively arrangement features melodies in both voicings. Neither part should overshadow the other. Each melody, playful and repetitive, should simply float with plenty of breath support throughout. The theme of the piece is the expression of a lighthearted impatience as one awaits the return of a promised gift from the bearer. Try to make the performance as dramatic as possible.When singing wide intervals, remember to think the pitch before you sing it. (Know where you’re going before you leap!) Be aware of the correct syllabic stress on words. Each syllable in a word is NOT equal to each other.Don’t let the 6/8 time signature drag. Try swaying as you sing in rehearsal to get the feeling of 2. Really stretch out the rhythm in measures 59-60 before going into the ending. Let the impatience show through as you end… Maybe even strike a pose at the end?Remember, it’s the little details that change a performance from mediocre to outstanding!Enjoy!
Composed by Traditional. Arranged by Glenda Franklin. Octavo. Octavo. BriLee Music #BL1364. Published by BriLee Music (CF.BL1364).
UPC: 680160927494. Key: Eb major. English.
This lively folk song arrangement features melodies in both voicings. Neither part should overshadow the other. Each melody, playful and repetitive, should simply float with plenty of breath support throughout. The theme of the piece is the expression of a lighthearted impatience as one awaits the return of a promised gift from the bearer. Oh Dear, What Can the Matter Be? is based on a traditional folk song that has been popular for over 200 years. Originally from England, it reached widespread popularity in the late 1700s before reaching the United States shortly after America gained independence. The piece quickly gained popularity as a concert selection in cities like New York and Philadelphia. It was first published as sheet music in 1792.Throughout American history, county fairs have been popular, especially in rural areas. The fairs, usually occurring just once a year, would be a major event for the community. During these rare occasions, trinkets and presents were available for purchase. Those not able to attend the fair looked forward to the gifts brought back to them by those attending.This lively arrangement features melodies in both voicings. Neither part should overshadow the other. Each melody, playful and repetitive, should simply float with plenty of breath support throughout. The theme of the piece is the expression of a lighthearted impatience as one awaits the return of a promised gift from the bearer. Try to make the performance as dramatic as possible.When singing wide intervals, remember to think the pitch before you sing it. (Know where you’re going before you leap!) Be aware of the correct syllabic stress on words. Each syllable in a word is NOT equal to each other.Don’t let the 6/8 time signature drag. Try swaying as you sing in rehearsal to get the feeling of 2. Really stretch out the rhythm in measures 59-60 before going into the ending. Let the impatience show through as you end… Maybe even strike a pose at the end?Remember, it’s the little details that change a performance from mediocre to outstanding!Enjoy!
Preview: Oh Dear, What Can the Matter Be?
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