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21094257
Horns Enjoying Themselves
21094257
21094257

Horns Enjoying Themselves Trio for Horns and Brass Band by Bertrand Moren Brass Band - Sheet Music

By Bertrand Moren
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Horns Enjoying Themselves by Bertrand Moren Brass Band - Sheet Music
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Brass Band and Horn Solo - Grade 4

SKU: BT.1308-07-130-M

Trio for Horns and Brass Band. Composed by Bertrand Moren. Brassband. Solo & Concerto. Score Only. Composed 2007. 20 pages. Mitropa Music #1308-07-130 M. Published by Mitropa Music (BT.1308-07-130-M).

A4 (210X297) inches. English-German-French.

This composition highlights the tenor horns. Long understated and unfairly relegated to the accompaniment, the tenor horn has gained prominence in the brass band during recent years.Horns Enjoying Themselves is an entertaining piece that will delight performers and audience alike. The first part is inspired by circus, with playful themes featuring humorous dissonances. The second part is a slow and calm journey through the mellow and luminous sound colours of the tenor horn. The third and last movement opens with a cadenza played by the soloists (alone). Written in triple time, it showcases the technical skills of the soloists.

Horns Enjoying Themselves ist ein unterhaltsames Solostück für das Hornregister. Der erste Satz, mit seinen verspielten Themen voll humorvoller Dissonanzen, ist vom Zirkus inspiriert. Der zweite Satz ist eine langsame und ruhige Reise durch die liebliche, strahlende Klangfarbenwelt des Es-Horns. Der dritte und letzte Satz beginnt mit einer von den Solisten gespielten Kadenz. Ein glanzvoller Auftritt für das Hornregister!

Cette composition dévoile toutes les facettes des altos. Très longtemps confiné dans un rôle d’accompagnement, l’alto est devenu ces dernières années, un protagoniste part entière du brass band.Horns enjoying themselves (“Les altos s’amusent”) est une œuvre divertissante qui séduit la fois les musiciens et le public. Le premier tableau s’inspire de l’univers du cirque. Les mélodies espiègles sont accompagnées de dissonances fantaisistes et humoristiques. Le second passage est un voyage lent et serein qui dévoile les couleurs moelleuses et lumineuses de l’alto. Le troisième et dernier tableau s’ouvre avec une cadence des solistes (seuls). Écrit sur un rythmeternaire, il exploite le brio technique des solistes.

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