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Piano Solo. Composed by Robert Schumann. Edited by Wolfgang Boetticher. Sheet music. Paperbound. Henle Music Folios. Pages: XI and 17. Classical. Softcover. 28 pages. G. Henle #HN459. Published by G. Henle (HL.51480459).
ISBN 9790201804590. UPC: 884088176525. 9.25x12.25x0.095 inches.
“To Diotima” – this addendum to the title was preserved until shortly before publication of the piano “songs” and mystified Schumann's contemporaries. “The Goddess to whom they are addressed has caused me quite a headache” wrote Joseph Joachim, and even Brahms was not able to identify her. The composer was referring to a novel by Hölderlin, although this work was apparently no longer generally very well-known in Schumann's day. “Quite original pieces, there is a very particular atmosphere in them” – thus Clara passed judgement. In our revised edition Ernst Herttrich provides a detailed illumination of the background to this unusual work.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Piano Solo. Composed by Robert Schumann. Edited by Wolfgang Boetticher. Sheet music. Paperbound. Henle Music Folios. Pages: XI and 17. Classical. Softcover. 28 pages. G. Henle #HN459. Published by G. Henle (HL.51480459).
ISBN 9790201804590. UPC: 884088176525. 9.25x12.25x0.095 inches.
“To Diotima” – this addendum to the title was preserved until shortly before publication of the piano “songs” and mystified Schumann's contemporaries. “The Goddess to whom they are addressed has caused me quite a headache” wrote Joseph Joachim, and even Brahms was not able to identify her. The composer was referring to a novel by Hölderlin, although this work was apparently no longer generally very well-known in Schumann's day. “Quite original pieces, there is a very particular atmosphere in them” – thus Clara passed judgement. In our revised edition Ernst Herttrich provides a detailed illumination of the background to this unusual work.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Gesange der Fruhe, op. 133 (Piano solo)
Preview: Gesänge der Frühe Op. 133
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