Composed by Paul Hindemith. Arranged by Gordon Cherry. 20th Century German. Stapled booklet. Cherry Classics #CC2700. Published by Cherry Classics (CY.CC2700).
Stucke for Cello and Bassoon, written in 1941 by Paul Hindemith has been a studio favorite of mine for many years. The four pieces are "different", and just that one thing makes them of keen interest to me. Each of the four pieces is in a unique style. They speak a different musical language, or rather, musical dialect. Austere, with no dynamics or expression markings they carry the composer's trademark sound with many perfect fourths and fifths, not just in the harmony but also the melodic line.
Hindemith did not experiment with 12-tone or serial style, which ran rampant in most musical "circles" during the first half of the 20th Century. He developed his own style of composition and stuck to it with amazing success. He was a musical genius with enemies on all sides. Labeled by the avant-garde musical community as a conservative and marked as a "degenerate" by Hitler's Nazi regime, he fled Germany in 1938 and eventually moved to America in 1940, saving his life and that of his Jewish wife. Hindemith presented this music as a gift to the eminent Austrian musicologist emigre Dr. Karl Geringer in 1941.
The Four Pieces, only little more than 4 ½ minutes in length are perfect for a good sight reading challenge (which should be part of every lesson), just difficult enough to keep the student on the edge of his/her seat. They can be performed by intermediate level players, however, there are some f-attachment notes in both parts which can be played in the upper octave if needed. I have purposely left out the optional octaves just to keep the parts uncluttered.
Composed by Paul Hindemith. Arranged by Gordon Cherry. 20th Century German. Stapled booklet. Cherry Classics #CC2700. Published by Cherry Classics (CY.CC2700).
Stucke for Cello and Bassoon, written in 1941 by Paul Hindemith has been a studio favorite of mine for many years. The four pieces are "different", and just that one thing makes them of keen interest to me. Each of the four pieces is in a unique style. They speak a different musical language, or rather, musical dialect. Austere, with no dynamics or expression markings they carry the composer's trademark sound with many perfect fourths and fifths, not just in the harmony but also the melodic line.
Hindemith did not experiment with 12-tone or serial style, which ran rampant in most musical "circles" during the first half of the 20th Century. He developed his own style of composition and stuck to it with amazing success. He was a musical genius with enemies on all sides. Labeled by the avant-garde musical community as a conservative and marked as a "degenerate" by Hitler's Nazi regime, he fled Germany in 1938 and eventually moved to America in 1940, saving his life and that of his Jewish wife. Hindemith presented this music as a gift to the eminent Austrian musicologist emigre Dr. Karl Geringer in 1941.
The Four Pieces, only little more than 4 ½ minutes in length are perfect for a good sight reading challenge (which should be part of every lesson), just difficult enough to keep the student on the edge of his/her seat. They can be performed by intermediate level players, however, there are some f-attachment notes in both parts which can be played in the upper octave if needed. I have purposely left out the optional octaves just to keep the parts uncluttered.
Preview: Four Pieces for Two Trombones
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.