Country March by Carl Strommen String Orchestra - Sheet Music

By Carl Strommen

Country March String Orchestra scores gallery preview page 1

Country March String Orchestra scores gallery preview page 2

Country March by Carl Strommen String Orchestra - Sheet Music

Country March by Carl Strommen String Orchestra - Sheet Music page 2

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Details

Instrument:

Double Bass Piano

Genres:

Classical March

Composers:

Carl Strommen

Publishers:

Carl Fischer Music

Series:

Carl Fischer First Plus Performances Series for String Orchestra

Format:

Set of Parts Score and Parts

Item types:

Physical

Level:

Beginning Grade 1 Grade 2

Musical forms:

March

Artist:

Carl Strommen

Usages:

School and Community

Detailed Description

Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Grade 1.5-2

SKU: CF.FAS12

Composed by Carl Strommen. Folio. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS12. Published by Carl Fischer Music (CF.FAS12).

ISBN 9780825845062. UPC: 798408045067. 8.5 x 11 inches. Key: D major.

The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofxa0Country March. The emphasis (accentedxa0tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playxa0p against the solo (orxa0soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.