• Cantate Canon Choir - Sheet Music
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Cantate Canon Choir - Sheet Music

Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1 and B2. The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1 and B2.The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1xa0 and B2.The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.

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Details

Summary
Instrument:
Choir Flute Tenor Voice
Ensembles:
Choir
Genres:
Classical
Publishers:
BriLee Music
UPC:
672405010603
Format:
Octavo
Item types:
Physical
Usages:
School and Community
Main Key:
F major
Number of Pages:
8
Size:
6.875 x 10.5 inches
Shipping Weight:
1.2 pounds
Detailed Description
Choral Bass 1, Bass 2, Flute, Piano, tenor voice

SKU: CF.BL1208

Composed by Donald Paul Moore. Octavo. 8 pages. Duration 0:01:45. BriLee Music #BL1208. Published by BriLee Music (CF.BL1208).

UPC: 672405010603. 6.875 x 10.5 inches. Key: F major. Latin. Traditional Latin with additional English by Donald Moore.

Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1 and B2. The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.
Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1 and B2.The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.
Canons have held a large place in the lives of almost every major composer since the the inception of notated music. There are literally thousands of musical canons in existence, from the very simple to the very complex, even a canon with as many as 48 voice parts. This canon, composed and arranged by Donald Moore, is for TBB voices. As B1 picks up the theme, Tenor moves into a complimentary role, soon to be duplicated by B1xa0 and B2.The wonderful thing about canons: if everyone learns the first four measures of the canonic melody, they have already mastered a good portion of the composition. Canons are great for developing the basis of part singing. Sing the canon simply and with great clarity. As the B1 begins, the bass and tenor voices will cross back and forth, sometimes B1 being higher than Tenor. It may be fun to have the voices mixed and milling in the space about as they sing, as this creates an interesting effect for the singers. It is also an excellent test to ensure that each participant knows his part independently of others.

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Instrument:
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Ensemble:
Choir
Publisher:
BriLee Music