Piano Solo - Level 5 - Digital Download
SKU: A0.1013231
Composed by Rudesindo Soutelo. Concert,Contemporary,World. Score. 18 pages. Publisher by Rudesindo Soutelo #6087205. Published by Publisher by Rudesindo Soutelo (A0.1013231).
Piano Solo. (2005) [15'35"] - ISWC: T-045.522.029-7 - ISMN: 979-0-9007529-6-3
Cervantes knew how to subvert, in Don Quixote, the harsh and arid Castilian thought by introducing into the intellectual discourse the ‘reason of the no-reason, that to my reason is given, so much so that my reason is diminished, that with greater reason I complain’ (I,i). The Navarran philosopher Juan David García Bacca (1901-1992) in the literary-philosophical exercises ‘On Quixote’ and ‘Don Quixote of the Mancha’ encourages a new approach to the reading of Quixote and explains this type of "reason of the no-reason" with the word "reasonance" (Don Quixote’s reasoning) used as categorical.
A new categorical approach to the word "rocinance" (the reasoning of the Rocinante, Don Quixote’s horse) would be needed to explain the mental scheme of bipedal asses that intellectually stifle society. Mist of Don Quixote reflects on the ontic reading proposed by García Bacca, and is organised through the complexes {7,2,3,7} {5,6} and {9,7}.
Carlos Villar-Taboada, on
Mist of Don Quixote, says: "The analogy presupposes a game, a reinterpretation of meanings, which the composer places before the listener to invite him to participate in it, thus requiring an active listening, capable not only of listening but also of getting involved from the composer’s perspective in order to be able to appreciate the correspondences he proposes, which are not immediate and which will be revealed successively if the discursive mode of the Knight of the Sad Figure is accepted as the rule, taking Don Quixote as the key that gives access to meanings beyond
what is evident".*
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Cervantes soube subverter, no Dom Quixote, o agreste e árido pensamento castelhano introduzindo no discurso intelectual ‘a razão da sem-razão, que à minha razão se dá, de tal maneira apouca a minha razão, que com maior razão me queixo’ (I,i). O filósofo navarro Juan David García Bacca (1901-1992) nos exercícios literário-filosóficos ‘Sobre o Quixote’ e ‘Dom Quixote da Mancha’ incita a um enfoque novo na leitura do Quixote e explica esse tipo de "razão da sem-razão" com a palavra "raciocinância" (raciocínio de Dom Quixote) empregada como categorial.
Seria preciso introduzir um novo categorial para a palavra "rocinância" (raciocínio do Rocinante, o cavalo de Dom Quixote) que explicasse o esquema mental dos jumentos bípedos que abafam intelectualmente a sociedade. Brêtema de Dom Quixote reflecte sobre a leitura ôntica que propõe García Bacca, e está organizada através dos complexos {7,2,3,7} {5,6} e {9,7}.
Carlos Villar-Taboada, sobre Brêtema de Dom Quixote, diz: "A analogia pressupõe um jogo, uma reinterpretação de significados, que o compositor coloca perante o ouvinte para o convidar a participar nele, exigindo assim uma audição activa, capaz não só de ouvir mas também de se envolver na perspectiva do compositor para poder apreciar as correspondências que propõe, que não são imediatas e que serão reveladas sucessivamente se o modo discursivo do Cavaleiro da Triste Figura for aceite como regra, tomando Dom Quixote como a chave que dá acesso a significados para além do que é evidente".*
* Villar-Taboada, C.: Lo literario, lo lúdico y lo crítico: estrategias compositivas e implicaciones semióticas en Brêtema de dom Quixote (2005), de Soutelo in B. Lolo (2010): Visiones del Quijote en la música del siglo XX. Madrid, Centro de Estudios Cervantinos. pp. 321-334. (ISBN: 978-84-96408-79-1).
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