Apocalyptic (Finale from Symphony No. 8)
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SKU: CF.SAS6
Composed by Anton Bruckner. Arranged by Kirk Moss. Set of Score and Parts. 20+24+3+15+10+10+2 pages. Duration 4 minutes, 56 seconds. Carl Fischer Music #SAS6. Published by Carl Fischer Music (CF.SAS6).ISBN 9781491159286. UPC: 680160917860.
Bruckner began composing the Eighth Symphony, his last completed symphony, in July 1884, working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory. When he finished the work's revelatory finale, he signed it "Hallelujah," and reported enthusiastically, "The Finale is the most significant movement of my life." Following the premiere performance, a peer composer penned, "Its success was almost without precedent. It was the absolute victory of light over darkness." This work leaps to life with awe-inspiring power in this first-ever setting for string orchestra with optional timpani. Transposed from its original key of C minor/major to D minor/major, the music sits nicely for all parts, ready for any concert or festival. The conductor should encourage students to vary the bow lanes, weight, and speed to produce powerful forte and expressive piano dynamics. Encourage mature players to make expressive fingering choices and to use vibrato. Students should practice coloring the tone and intensity through bowing lanes, variable bow weight, and appropriate bow speeds.
Bruckner began composing the Eighth Symphony, his last completed symphony, in July 1884, working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory. When he finished the work's revelatory finale, he signed it "Hallelujah,” and reported enthusiastically, “The Finale is the most significant movement of my life." Following the premiere performance, a peer composer penned, “Its success was almost without precedent. It was the absolute victory of light over darkness.”This work leaps to life with awe-inspiring power in this first-ever setting for string orchestra with optional timpani. Transposed from its original key of C minor/major to D minor/major, the music sits nicely for all parts, ready for any concert or festival.The conductor should encourage students to vary the bow lanes, weight, and speed to produce powerful forte and expressive piano dynamics. Encourage mature players to make expressive fingering choices and to use vibrato. Students should practice coloring the tone and intensity through bowing lanes, variable bow weight, and appropriate bow speeds.