Choir, Choir
Choir, Choir
Choir, Choir
Choir, Choir
Concert Band
Concert Band
Cornet, Organ, Piano Accompaniment, Trumpet Duet
Cornet, Organ, Piano Accompaniment, Trumpet Duet
Piano Solo
Piano Solo
Choir, 4-Part, SATB, 3-Part, SAB, Mixed Choir
Choir, 4-Part, SATB, 3-Part, SAB, Mixed Choir
Choir, Women's Choir
Choir, Women's Choir
Choir, Choir
Choir, Choir
Choir, Voice, Choir
Choir, Voice, Choir
Concert Band
Concert Band
Piano Solo
Piano Solo
Choir, Women's Choir
Choir, Women's Choir
Choir, 4-Part, SATB, Concert Band
Choir, 4-Part, SATB, Concert Band
Choir, Organ Accompaniment, 4-Part, SATB, Brass Band
Choir, Organ Accompaniment, 4-Part, SATB, Brass Band
Choir, Men's Choir
Choir, Men's Choir
Choir, Choir
During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
Cantata; Early modern; Late-romantic. Score and parts. 32 pages. Breitkopf and Haertel #PB 5390. Published by Breitkopf and Haertel (BR.PB-5390).Choir, Choir
During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
Cantata; Early modern; Late-romantic. Score and parts. 32 pages. Breitkopf and Haertel #PB 5390. Published by Breitkopf and Haertel (BR.PB-5390).Choir, 4-Part, SATB, Mixed Choir
Choir, 4-Part, SATB, Mixed Choir
Cornet, Organ, Piano Accompaniment, Trumpet Duet
Cornet, Organ, Piano Accompaniment, Trumpet Duet
Choir, 4-Part, SATB, Mixed Choir
Choir, 4-Part, SATB, Mixed Choir
Choir, Choir
Choir, Choir
Concert Band, Orchestra, Brass Band
Concert Band, Orchestra, Brass Band